Yolanda Markopoulou is a director creating interdisciplinary works with a focus in the use of site-specific locations and public space.
In 1943, 10-year-old-Rozina, from her hiding place (a small apartment in the center of the Thessaloniki) decides to write her diary under the fake name Roula Karakotsou. This was her only escape from the Nazis, as she endured 548 days of nameless existence in silence. The viewer experiences her adven- ture through her childish gaze, her narratives, as long as she is hiddden.
In a monastery set on the top of sandstone pillars young monk Theodoros and nun Urania find themselves physically drawn to one and other after devoting their lives to the strict rituals and practises of the monasteries. Below them the eternal cycle of farm-life provides a strong contrast to their lives and they are forced to choose between human desire and spiritual devotion
Kenneth Bianchi, one of the two serial rapists and killers who terrorized the Los Angeles area in the late 1970s, is giving police station interviews to psychiatrist Samantha Stone, who has disquieting lifestyle issues of her own. It falls to her to delve into the details of the case to determine the veracity of Bianchi's claims of multiple personality disorder, but in so doing, she is forced to relive the horrific crimes, one of which occurs at her very doorstep.