Some time ago, Robert took some photos of military action which are now endangering his life. He is on the run from those who would find their publication damaging and is headed for Syria, where he believes he will be safe. While in Istanbul, he meets a pop singer, a woman half his age who gives him the erotic charge of his life. He begins taking film of their bedroom encounters and says some pretty excessive things about how marvelous she is to him. Meanwhile, his local friends don't trust or like him enough to help him stay in Istanbul, and it seems that he will have to continue onward in his journey to safety.
Kerem goes to a village to start a new life for his family. It will not be easy for Kerem's wife Neriman to get used to her new life.
Hasmet, director of love stories, wants to make a film which is different than the movies he made before. This movie has a social message. He tries to find a producer but film industry is mainly out of money. When he thinks he finds one, nothing goes as it planned.
A kind-hearted tea maker works in a bustling commercial inn, where his good nature makes him an easy target. The business owner takes advantage of his generosity, while the woman he loves manipulates him for money, playing on his trust. As he faces these challenges, his simple routine slowly begins to shift, leading to unexpected turns that force him to rethink his place in the world.
A man has been in prison for sixteen years after killing of his wife. Now he seeks to create a new life, where he only finds warmth and fellowship with Turkish immigrants. He will also try to come to terms with the daughter who hates him. Denmark's submission for the Academy Award for Best Foreign Language Film in 1986.
Reminiscent of Martin Scorsese's 1985 production, After Hours, this film narrates the events of a night in the chaotic backstreets of Beyoğlu in Istanbul. The day he receives his wage, and after arguing with his wife, Haydar (Tarik Akan) leaves the house in a fury and heads to Beyoğlu for a wild night out. However, a prostitute and her pimp bring him such troubles, and he finds himself penniless and in police custody.
In the half-light of dawn, Halil falls down dead, murdered. His wife, Elmas, cries for justice, but, in fact, there will be no investigation. Life goes on for Elmas: during the day she works in the rice paddies with her little boy and, at night, she goes to catch frogs with the other villagers.
Kara Bayram is a poor farmer living in a Turkish village with his wife, 3 kids (4th on the way) and his old mother Irazca Ana. They live on their own until another villager, Haceli who is backed up by the Mukhtar (local administrator of the Village) starts to build a new house right in front of their's. Kara Bayram and Irazca Ana do not accept these uninvited neighboors from the first day and unwanted events start right away.
With good guidance from director Zeki Okten but an uninspired script, this story of a brother and his Turkish family influenced by old and new traditions is somewhat uneven. Bilal (Tarik Akan) is devoted to the art of wrestling, following in the footsteps of his father and grandfather, who were both champions at the sport. Aside from his interest in wrestling for its own sake, Bilal has a chance to win a provincial wrestling contest and thereby bring home a considerable cash award for his efforts -- and so his days are spent in training for the event. Meanwhile, his brother and sister-in-law and their daughter have come back home after living in Germany for 12 years and are finding the adjustment to their cultural roots a bumpy ride. As long scenes of well-oiled and slippery wrestlers in action prepare viewers for Bilal's big event, the struggle of these men is reminiscent of the struggle of Bilal's family to come to grips with a world they may not be able to accept unconditionally.