detail profile yang zhengfan
Peran Yang Di Mainkan Yang Zhengfan
The hotel room as a place...Stranger 2024
The hotel room as a place where everyone is a stranger. A place that is yours for just a moment. A temporarily intimate space entered by a maid in order to clean it while, if possible, not leaving a trace of her visit. Each episode of Stranger is set in such a place, and each is captured in one long take. Weaving together a series of episodic stories – some humorous and absurd, some poignant and mysterious – that all unfold within a seemingly confined space, Stranger explores the idea of home while being away from it, and sheds light on the distinctive yet universal experiences of isolation and loneliness.
Like many throughout 2020 Chineseborn USbased filmmaker...Footnote 2022
Like many, throughout 2020 Chinese-born, US-based filmmaker Zhengfan Yang (Where Are You Going, IFFR 2016) looked closer at his immediate surroundings. From his apartment complex in Chicago, the filmmaker records ostensibly quotidian scenes: people walking, window cleaners, street sweepers; life viewed from inside a bubble.
There are the images of before...A River Runs, Turns, Erases, Replaces 2021
There are the images of before, the images of after and the letters. The images of after come first, they stem from the same surveillance camera in Wuhan, empty streets that only throng with people again on April 4th, 2020.
Weaving together footage filmed and broadcast...Present.Perfect. 2019
Weaving together footage filmed and broadcast by little-known Chinese live-streaming anchors, who struggle with real-life face-to-face social interaction because of their identity, disability and social-economic status, this cinematic collage explores how individuals satisfy their cravings for human connection through virtual togetherness, and how these virtual relationships challenge standard definitions of companionship.
Thirteen dinners of a Chinese migrant...Another Year 2016
Thirteen dinners of a Chinese migrant worker's family over the course of fourteen months. The film portrays a series of random occurrences. Joys, frustrations and the struggle for survival. The meals unfold in real-time through thirteen static, long takes. Each take captures with vivid detail the reality of the relationships between the different family members. As the seasons unfold, so does time and the echoes for better working conditions penetrate the frame. Issues such as the one-child-policy and the possibilities for better wages weigh heavily on the minds of the three-generation family.
Hong Kong as seen through a...Where Are You Going 2016
Hong Kong as seen through a cab window. Inhabitants discuss their lives, problems and dreams as they are driven to their destination through the chaotic streets of Hong Kong.
