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William Marshall was an American actor, director, and opera singer.
He is best known for his title role in Blacula and its sequel Scream Blacula Scream as well as his role on Pee-wee's Playhouse.
Marshall made his Broadway debut in 1944 in Carmen Jones.
In 1950, he understudied Boris Karloff as Captain Hook in the Broadway production of Peter Pan.
He played the leading role of De Lawd in the 1951 revival of The Green Pastures, a role he repeated in 1958 in a BBC telecast of the play.
He performed in several Shakespearean plays on the stage in the U.
S.
and Europe, including the title role in at least six productions of Othello.
Harold Hobson of the London Sunday Times praised Marshall’s portrayal as "the best Othello of our time.
"
In 1968, Marshall joined the Center Theatre Group at the Ahmanson Theatre in Los Angeles to play Othello in a jazz musical version, Catch My Soul, with Jerry Lee Lewis as Iago.
Marshall portrayed Paul Robeson and Frederick Douglass on stage.
He researched Douglass' life extensively, and in 1983 produced and played the lead role in Frederick Douglass: Slave and Statesman.
Marshall's career on screen began in the 1952 film Lydia Bailey as a Haitian leader.
He followed that with a prominent role as Glycon, comrade and fellow gladiator to Victor Mature in the 1954 film Demetrius and the Gladiators.
His demeanor, voice and stature gave him a wide range, though he was ill-suited for the subservient roles that many black actors of his generation were most frequently offered.
He was a leader of the Mau-Mau uprising in Something of Value, and Attorney General Edward Brooke in The Boston Strangler.
He probably received the most notice for his role in the vampire film Blacula and its sequel Scream Blacula Scream.
In later years, Marshall played the King of Cartoons on Pee-wee's Playhouse.
Despite blacklisting because of his supposed communist connections, Marshall managed to continue appearing in both television and films.
He appeared on the British spy series Danger Man in episodes titled "Deadline" and "The Galloping Major".
He also won two local Emmys for producing and performing in a PBS production, As Adam Early in the Morning, a theatre piece originally performed on stage.
He also was featured in an episode of The Alfred Hitchcock Hour titled, "The Jar", with actors Pat Buttram and George Lindsey.
In addition to acting and producing, Marshall taught acting at various universities including the University of California, Irvine, and the Mufandi Institute, an African-American arts and music institution in the Watts section of Los Angeles.
He did similar work at Chicago's ETA Creative Arts Foundation, which in 1992 named Marshall one of its Epic Men of the 20th century.
Marshall died June 11, 2003, from complications arising from Alzheimer's disease and diabetes.
Marshall was considered by many to be a much underrated actor and one who never got his due.
Some have remarked that Marshall should have had a much more successful and larger screen career, even saying that Marshall would have been a perfect choice for the role of Thulsa Doom in Conan the Barbarian.
Delving into a century of genre films that by turns utilized, caricatured, exploited, sidelined, and finally embraced them, this is the untold history of black Americans in Hollywood through their connection to the horror genre.
Hosted by Christopher Lee, this documentary examines the different actors who have portrayed Dracula over the years.
Two friends, who both work for the same high-priced, high-powered law firm, are both married to modern day witches. Erica, the wife of Larry, believes that he is being led astray by Carol, an old flame, who also works for the same law firm. Erica decides to act and one night after a torrid sex session Larry drifts off to sleep and begins to dream. Soon the dream turns into a nightmare of sex, violence, murder and death involving himself, his friends and colleagues from the law firm which appears to be frighteningly realistic...
Haunted by recurring dreams of Hea-Thor, a gorgeous cavegirl,and a menacing Allosaurus, action-movie star Tony Markham soon finds himself transported, by means of a magic Icon, back through time to Dinosaur Valley. Now trapped in world of dangerous dinosaurs, grunting cavemen and a tribe of exotic, love-starved cavegirls, Tony must put his modern-days skills to extreme tests in order to survive prehistoric perils, win the cavegirl of his dreams and (maybe) return to his own time?
Bret Maverick is a gambler who would rather con someone than fight them, and needs an additional $3k in order to enter a winner-takes-all poker game beginning in a few days. He joins forces with a woman with a marvelous Southern accent, and the two try and enter the game.
Pee-wee Herman and pals are celebrating Christmas in the Playhouse in their own creative ways: Pee-wee makes a list for Santa Claus 1.5 miles long, teaches Little Richard how to ice skate, goes for a sleigh ride with Magic Johnson, enslaves Frankie Avalon and Annette Funicello into making Christmas cards, receives a long phone call from Dinah Shore, even has more musical fun with k.d. lang, the Del Rubio Triplettes and Charo! Finally, Big Red arrives and announces that Pee-wee's Christmas list was so big, he didn't have enough presents for all the children of the world. Will Pee-wee follow his own advice and help others?
Centered around a television station which features a 1950s-style sci-fi movie interspersed with a series of wild commercials, wacky shorts and weird specials, this lampoon of contemporary life and pop culture skewers some of the silliest spectacles ever created in the name of entertainment.
A renegade USAF general, Lawrence Dell, escapes from a military prison and takes over an ICBM silo near Montana and threatens to provoke World War 3 unless the President reveals details of a secret meeting held just after the start of the Vietnam War between Dell and the then President's most trusted advisors.
After an aging voodoo priestess dies, her arrogant son Willis Daniel's believes he is next in line to lead. He is outraged when Lisa, his mother's adopted apprentice is chosen as the leader. Willis seeks revenge by reviving the African prince Blacula — but soon finds that he cannot control him.
Sheila, an affluent black teenager, begins dating working class white teen Wayne, and asks him for help to sell a kilo of marijuana.
A dying man frames himself for murder so his widow can collect the reward.
An expedition into the interior of Papua New Guinea comes across a tribe of ape-like people who may or may not be ancestors of early man.
Boston is being terrorized by a series of seemingly random murders of women. Based on the true story, the film follows the investigators path through several leads before introducing the Strangler as a character. It is seen almost exclusively from the point of view of the investigators who have very few clues to build a case upon.
The men from U.N.C.L.E. are off to Africa to stop the assassination of a president.
As Kenya's Mau Mau uprising tears the country apart, former childhood friends Kimani (Sidney Poitier), a native, and Peter (Rock Hudson), a British colonist, find themselves on opposite sides of the struggle in this provocative drama. Though each is devoted to his cause, both wish for a more moderate path -- but their hopes for a peaceful resolution are thwarted by rage, colonial arrogance and escalating violence on both sides.
The story picks up at the point where "The Robe" ends, following the martyrdom of Diana and Marcellus. Christ's robe is conveyed to Peter for safe-keeping, but the emperor Caligula wants it back to benefit from its powers. Marcellus' former slave Demetrius seeks to prevent this, and catches the eye of Messalina, wife to Caligula's uncle Claudius. Messalina tempts Demetrius, he winds up fighting in the arena, and wavers in his faith.