detail profile william belchambers
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William Belchambers is an Actor known for Hamlet (2007), Utopia (2013) and Royal Shakespeare Company: Love's Labour's Lost (2015).
He graduated from RADA and has worked extensively in Theatre, Film and Television
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Peran Yang Di Mainkan William Belchambers
When the morning sunlight awakens Emma...
The fat knight Sir John Falstaff...The Merry Wives of Windsor 2011
The fat knight Sir John Falstaff imagines that Mistress Ford and Mistress Page are both taken with him and so, attracted as much by their husbands’ money as their personal charms, he decides to woo them both. But the women are up to the old lecher’s tricks and turn the tables on him with a series of humiliating assignations, midnight terrors and a very damp, extremely smelly laundry basket. Gutsy, colloquial and bustling with vivid characters, The Merry Wives of Windsor is a brilliantly constructed farce and the only comedy Shakespeare set in his native land. It is also the ancestor of English bourgeois comedy and gave birth to a tradition that reaches down to the modern TV sitcom. The production made merry with the relationship between the life of middle-class Elizabethan England and the late medieval period in which the play is set.
Visually mesmeric with countless lateral subplots...Fodor's Hamlet 2007
Visually mesmeric with countless lateral subplots set in a nightmarish no man's land: Shakespeare in the Extreme!
Set in a surrealistic nightmarish Kafkaesque...Hamlet 2007
Set in a surrealistic, nightmarish, Kafkaesque no man's land, this version of the famous Shakespeare play centres on the ghostly, supernatural aspects of the play. The text is the original Shakepearean, but the characters' personalities are changed, so for example, Polonius (originally a doddering old man) becomes Polonia a scheming femme fatale, who is plotting to get her younger sister Ophelia (who she controls through the use of addictive drugs) married into the royal family. It's dramatically shot, and is not so much a modern version (there are no references or images of the modern world at all) as a lateral concept.
