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From Wikipedia
William Beaudine (January 15, 1892 – March 18, 1970) was an American film actor and director.
He was one of Hollywood's most prolific directors, turning out films in remarkable numbers and in a wide variety of genres.
In 1915 he was hired as an actor and director by the Kalem Company.
He was an assistant to director D.
W.
Griffith on The Birth of a Nation and Intolerance.
By the time he was 23 Beaudine had directed his first picture, a short called Almost a King (1915).
He would continue to direct shorts exclusively until 1922, when he shifted his efforts into making feature-length films.
Beaudine directed silent films for Goldwyn Pictures (before it became part of MGM), Metro Pictures (also before MGM), First National Pictures, Principal and Warner Brothers.
In 1926 he made Sparrows, the story of orphans imprisoned in a swamp farm starring Mary Pickford.
Beaudine had at least 30 pictures to his credit before the sound era began.
Among his first sound films were short Mack Sennett comedies; he made at least one film for Sennett while contractually bound elsewhere, resulting in his adopting the pseudonym "William Crowley.
" He would occasionally use the pseudonym in later years, usually as "William X.
Crowley.
"
He ground out several movies annually for Fox Films, Warner Brothers, Paramount, and Universal Pictures.
His most famous credit of the early 1930s is The Old-Fashioned Way, a comedy about old-time show folks starring W.
C.
Fields.
Beaudine was one of a number of experienced directors (including Raoul Walsh and Allan Dwan) who were brought to England from Hollywood in the 1930s to work on what were in all other respects very British productions.
Beaudine directed four films there starring Will Hay, including Boys Will Be Boys (1935) and Where There's a Will (1936).
Beaudine was often entrusted with series films, including the Torchy Blane, The East Side Kids, Jiggs and Maggie, The Shadow, Charlie Chan and The Bowery Boys series.
His efficiency was so well known that Walt Disney hired him to direct some of his television projects of the 1950s and had him direct a feature western, Ten Who Dared (1960).
Beaudine became even busier in TV, directing Naked City, The Green Hornet, and dozens of Lassie episodes.
His last two feature films, both released in 1966, were the horror-westerns Billy the Kid vs.
Dracula (with John Carradine) and Jesse James Meets Frankenstein's Daughter.
By the end of the decade he was the industry's oldest working professional, having started in 1909.
Beaudine died of uremic poisoning in 1970 in California and was interred in the Hollywood Forever Cemetery in Hollywood.
After the superstardom and early death of Bruce Lee, 20th Century Fox decided to cobble together a couple of theatrical feature films from this property, of which this 1974 effort is the first. The bulk of the film consists of four episodes crudely spliced together. Scattered throughout are bizarrely irrelevant fight scenes from other episodes, which make the already disjointed plotting quite surreal. The television image was cropped to make a widescreen film, which means the tops of heads and hats are lopped off the frame with alarming regularity.
Dr. Frankenstein's Granddaughter Maria, and her brother assistant Rudolph, moved to the old west because the lightning storms there are more frequent and intense, which allows them to work on the experiments of their grandfather. But the experiments are failing and Rudolph's been secretly killing the corpses afterwards. Meanwhile, the Lopez family leaves the town because of the evil going on there
The Singer Duke Mitchell meets Sammy Petrillo in this parody of Martin & Lewis. They arrive on a jungle island, where a mad scientist played by Bela Lugosi makes human experiments.
A tale of three women who hang out in a bar and bend the ear of Harry the bartender. Kate Allison drinks to forget playboy Andy Emerson, whom she might have married if her husband, John Allison hadn't come home before the divorce was final, which is no big deal as actors Norris and Douglas were pretty much interchangeable anyway; Ruth Marshall is reunited with husband Richard Marshall on the pleas of their son in the divorce court of Judge Donnell; and Clair Dunning makes up with husband Bill Dunning after they meet in the bar. Most of what passes for action is a couple of car wrecks, understandable considering the amount of sauce consumed in Harry's bar.
Soon after a Chinese princess comes to the US to buy planes for her people, she is murdered by a poison dart fired by an air rifle.
The citizens of the small town of Midburg are thrilled when one of their native sons, Dan Flannery, becomes a war hero while serving in the Merchant Marines. But before arriving he is stricken with amnesia and falls in with a gang of crooks...
Falsely accused of murdering a crooked newspaper reporter, suave detective Lamont Cranston -- aka the Shadow -- vows to track down the real killer.
Two bit hood Eddie Condon (Kane Richmond) sells babies under the counter. A highly lucrative racket he soon finds out. But when will the police get wise to this highly immoral scheme of his? And will they be able to pin a rap on him before he goes a little too far? ALL IS TOLD in this EXCITING tale of CRIME and CORRUPTION!
A detective investigating kidnapping case discovers the victim, who may be a zombie.
The police arrest a man climbing over the wall of a cemetery after midnight. He claims that he is being blackmailed and is following instructions he received by mail to leave $1000 on a certain grave. It turns out that he's not the only one who got a blackmail letter from the same person--calling himself "The Black Panther"--and it also turns out that all the recipients are connected to an opera company.
An all-black horror comedy starring Mantan Moreland and sometimes partner (and straight man) F.E. Miller, Lucky Ghost is amusing low-brow fare that exploits the more base, stereotypical elements of old-time black life (chicken thievin', gamblin', runnin' from ghosteses) for laughs -- sort of like the BET of its day. Mantan and Miller win a house-cum-casino in a craps game, only to discover that the deceased former owners aren't too pleased that their old home is being used for "jitterbugging, jiving, and hullaballooing". I hate hullaballooing. The ghosts decide to scare everyone off by opening doors and windows, pulling out chairs, even playing the drums.
The Jewish Nate Cohen and the Irish-Catholic Patrick Kelly are business partners who are constantly fighting. When they find out that Nate's daughter Sadye and Patrick's son Pat Jr. are getting married in Paris, the two and their wives take an ocean liner to France to stop the marriage. When they get there, they find that the situation has radically changed, and not for the better.