After a night of heavy drinking, Jeanne and Deb take an empty road through the backwoods to avoid traffic where they unexpectedly hit a mysterious woman that quickly vanishes into a field. Plagued with guilt and unable to go to the police, the girls decide to investigate with the help of some friends. But when their peers start to die or inexplicably vanish, it becomes clear that a bigger, sinister force is at work as Jeanne is thrown into a bizarre conflict with the undead and a sinister voodoo priest with malicious intentions.
Arcade Fire’s first feature film is called 'The Reflektor Tapes'. The project is “a unique cinematic experience, meeting at the crossroads of documentary, music, art and personal history.”
In the not so distant future, Theodore, a lonely writer, purchases a newly developed operating system designed to meet the user's every need. To Theodore's surprise, a romantic relationship develops between him and his operating system. This unconventional love story blends science fiction and romance in a sweet tale that explores the nature of love and the ways that technology isolates and connects us all.
An intimate portrait of Brooklyn-based electronic rock band LCD Soundsystem's then-final live show on April 2, 2011, capturing both the exuberant, three-hour farewell concert at New York City's Madison Square Garden and frontman James Murphy's introspective 48 hours surrounding it.
New York dance-punk band LCD Soundsystem plays its final show at Madison Square Garden on April 2, 2011.
Live Concert. Directed by Terry Gilliam
The Arcade Fire’s enigmatic Miroir Noir opens with its most authentic moment: the band faces each other in the middle of an audience and gingerly eases into “Wake Up”. The fans bunch awkwardly around them as Win Butler intones into a ghetto-taped megaphone. Renowned for their sojourns into the crowd, this particular gimmick is usually configured as a populist transgression of the supposed boundary between performer and audience. But this footage shows indie’s high priests seeming uneasy among the faithful, who appear to share the feeling. No species of direct connection is sought. Even in such close quarters, the act of leveling can only be achieved through the conduit of the music.
Filmmaker Drew Thomas brings California's popular Coachella Valley Music and Arts Festival to the screen with a different kind of musical documentary that not only showcases performances by some of the hottest acts to take the stage, but offers interviews with such musical icons as Beck, Joshua Homme, Mos Def, and Perry Farrell as well. From English icon Morrissey's performance at the inaugural Coachella Festival back in 1999 to Canadian indie rockers the Arcade Fire's electric 2005 set, the musical acts featured here run the gamut from hip-hop to alternative and virtually everything in between. Other artists featured include the Pixies, the Flaming Lips, Kool Keith, Radiohead, Saul Williams, and Squarepusher.