"A documentary anatomy of mass murder for one monitor and 34 talking heads." These are the words the filmmakers use in the credits to describe their project, which thematises the execution of more than 260 Carpathian Germans, Hungarians and Slovaks by Czechoslovak army soldiers near Přerov in June 1945. The “massacre at Přerov” is made present through a minimalist dramatisation of the interrogation footage of direct participants, eyewitnesses, and others. It is as if the characters of ancient theatre were entering the Zoom “stage” and delivering a tragic message of fear, hatred and disinterest across the chasm of time.
Little kids, little worries, big kids, big worries, sighs many a parent often. This is no different for the mother of eighteen-year-old Frantisek, who has just graduated from high school without much glory and is about to start his first job. Fandy is still full of boyish dreams, yearns for a career as a rowing representative, competes with a friend for the favor of an admiring girl and is generally stubbornly opposed to taking life seriously.