Po studiu herectví na JAMU v Brně (absolvoval v roce 1986) působil v letech 1986–91 v brněnském Divadle Na provázku, kde se výrazně podílel na řadě představení – hrál mimo jiné: Hraběte z Hvězdy v Katynce z Heilbronnu, Huga v Zahradní slavnosti, Poutníka v Labyrintu světa a Lusthausu srdce, Uie v Baletu makábr, Rašína v Rozrazilu, několik shakespearovských rolí vytvořil v inscenacích Shakespearománie I.
a II.
, v Tanečních hodinách hrál postavu pojmenovanou On I.
atd.
Další jeho angažmá bylo v letech 1993–96 v pražském Činoherním klubu (z rolí např.
: Andrew v Sexu noci svatojánské, Figaro ve Figarově svatbě, Liboveský ve Vodním družstvu, Aston ve Správcovi aj.
).
Jeho jméno se od tohoto období objevuje i v dalších divadlech, kde občas hostuje (Divadlo Archa, Viola, Divadlo v Řeznické, Divadlo v Dlouhé ad.
).
Členem činohry Národního divadla se stal v roce1999.
Předcházelo tomu hostování ve dvou inscenacích (hrál Františka v adaptaci Hrubínovy Romance pro křídlovku a několik rolí v přepisu Hrabalovy prózy Obsluhoval jsem anglického krále).
Z dalších rolí, které v Národním divadle nastudoval a hrál: titulní Shakespearův Hamlet, titulní Klicperův Hadrián z Římsů, Kníže Myškin v adaptaci Dostojevského Idiota, Kotrlý v Havlově Pokoušení, Pěstoun, Muž z baru a Číšník v benefici Luby Skořepové Prospaný život, Václav v Tylových Krvavých křtinách, Mistr Šimon v Molierově Lakomci, Kuťápka ve Šrámkových Zvonech, Bratr Lorenzo v Shakespearově Romeovi a Julii, Snake v Sheridanově Škole pomluv, Neprosil ve Štechově komedii David a Goliáš aj.
V roce 2009 se rozhodl své angažmá v Národním divadle ukončit.
V současném repertoáru činohry ND však ještě hraje Dobčinského v Gogolově Revizorovi, Prince, Loupežníka a Soba ve Sněhové královně (podle Andersena) Malého Charlese Aikena v Lettsově Srpnu v zemi indiánů, Dr.
Hronce ve Stodolově Čaji u pana senátora a Muže s hůlkou v Čapkově Věci Makropulos.
Má na svém kontě asi padesát filmových a televizních rolí (např.
Největší z pierotů, Báječná léta pod psa aj.
).
After being expelled from Beecher Prep for his treatment of a classmate with a facial deformity, Julian has struggled to fit in at his new school. To transform his life, Julian's grandmother finally reveals her own story of courage of her youth in Nazi-occupied France, where a classmate shelters her from mortal danger.
This darkly grotesque drama unfolds on multiple paths. The tangible one, now cruel, now crazy, along which the nomadic actor "Dad Mour", his wife "Mum" and two sons try to return home, but also the imaginary one, even more, tortuous and dusty, on which the often impressive mental youth (or immaturity, a scrooge might say) is welded with life circumstances forcing the protagonist to wise up. An anxious and exuberant cinematic faerie about love, the fear of loneliness and the gaze of sons fixed on their fathers.
A few years back tragic events tied the fate of three Catholic priests. From then on they meet on every anniversary of the disaster to celebrate their survival. On an everyday basis they have their ups and downs. Lisowski works at the curia in a big city, has a career and is dreaming of the Vatican. Problem is, archbishop Mordowicz, an opulent church official who uses his political influence to build the largest sanctuary in Poland, gets in his way. The second priest, Trybus, is a village parson. He ministers to a poor community and gives in to human weaknesses more and more often. Kukuła is not faring well either. Despite his fervent faith, he loses the trust of his parishioners actually overnight. Soon the stories of the three clergymen are going to join once again.
The story of communist show-trial victim Milada Horáková. Horáková was one of the first victims of the communist regime in Czechoslovakia. She opposed the communist coup in 1948 but did not leave the country. She was arrested and tried for treason on fabricated charges in a show trial that was broadcast on the radio and shown in film clips. The film focuses on the time from 1945 to 1950 when the communists took over, but also goes back a little further in Horáková's life into the late 1930s
The world's top thieves join forces to pull off the heist of a lifetime. But when they find themselves pursued across Europe by a legendary French detective, they'll have to take their game to the next level.
In a godforsaken cave, a traveling journeyman fills his pockets with gold. Voita lost his father and mother in the war and is now seeking his fortune in the world. He got to the abyss at Gallows Mountain only by chance - or have mysterious powers led him there in this spooky stormy night? Suddenly, he notices a strange fellow among the treasures. The apparent ghost and custodian of this treasure chases away the young man, who still manages to secretly pocket a small, fateful lighter...
The series follows Cyril and Methodius, two Byzantine Greek brothers born in the 9th century. They became missionaries of Christianity and influenced the cultural development of the Great Moravian territory.
Flower Buds tells the story of the gradual breakdown of a family living in a small town. Each character lives according to his or her own ideals. Agata wants a happy life far from home, fully aware that her only hope is to escape and therefore betray those close to her. Honza believes in the purity and power of love, regardless of the circumstances under which it is born. Kamila looks confidently to the future and does not intend to accept the misery of the present. The only Jarda knows that he will not change the world or himself. Aware of his weakness, he does not even try. In his mind, of course, his addiction to slot machines, which has led to a nearly impossible situation, is as certain as most gamblers' belief of an imminent win. The real and convincing attempt to rescue his family comes when it is too late. It is just a futile gesture, a desperate last ditch effort.
The Horváth family is a Romani family with seven children, and the story begins with the tragic death of the father. His wife, Vera, is suddenly in a fight with the authorities, determined to keep her large family together at all costs, but she is hopelessly ill-prepared for the task. They are evicted from their home and her case-Vera versus the city-finds its way to a young, ambitious lawyer. She doesn't know the world of the Romani, nor is she particularly interested in it. Initially she takes the case as a springboard for her career. Despite her prejudices, incomprehension and sometimes Vera herself, she doesn't abandon the case. Luckily she is not the only one who sides with the family. There is a social worker whose attempts to help the Horváths are also motivated by his entirely private interest in the attractive lawyer.
In an attic full of discarded junk, a pretty doll called Buttercup lives in an old trunk together with her friends, the marionette Prince Charming, lazy Teddy Bear and the plasticine creature Schubert. When Buttercup is snatched and taken off to the Land of Evil, her pals set out to rescue her.
From the mean streets of the Belleville district of Paris to the dazzling limelight of New York's most famous concert halls, Edith Piaf's life was a constant battle to sing and survive, to live and love. Raised in her grandmother's brothel, Piaf was discovered in 1935 by nightclub owner Louis Leplee, who persuaded her to sing despite her extreme nervousness. Piaf became one of France's immortal icons, her voice one of the indelible signatures of the 20th century.
Capturing the dark humor of Czech author Michal Viewegh's chronicle of life after the Velvet Revolution, this black comedy chronicles three decades in the life of a small Czech family. While the original novel centered on the protagonist Kvido from his conception through his adulthood, first time director Petr Nikolaev and screenwriter Jan Novak changed the focus to his parents Milena, an extremely self-effacing lawyer who acts on stage in her spare time, and Ales, a rather aimless government worker who tends to drift wherever the wind takes him. The lives of Ales and Milena change dramatically following the Russian invasion of Prague in 1968.
Set over a two-decade period in a tiny Central European village, this drama not only chronicles a couple's tragic star-crossed love, it also serves as a metaphor for the tragedy of lost traditions. After opening in the snowy wilds as two people spectacularly die, the story jumps back 20 years as young Verona prepares to marry. Unfortunately, voracious wolves descend upon the ceremony and all but Verona and her courageous 10-year-old brother-in-law Goran, who saves her, perish. That day, Verona gives birth to Veronika and promptly betroths her daughter to the heroic Goran. A decade passes and on Veronika's 10th birthday, her engagement to Goran is formally announced at a big party. Festivities halt when a troupe of female circus performers and their sly employer Madina show up. Veronika soon finds herself more interested in Madina's young son Michal than she is in the adult Goran. Meanwhile, the worldly Madina attempts to adjust to life in an old-fashioned village.