Vittorio Storaro, A.
S.
C.
, A.
I.
C.
(born 24 June 1940) is an Italian cinematographer widely recognized as one of the best and most influential in Cinema history, for his work on numerous classic films including The Conformist, Apocalypse Now, and The Last Emperor.
In the course of over fifty years, he has collaborated with directors such as Bernardo Bertolucci, Francis Ford Coppola, Warren Beatty, Woody Allen and Carlos Saura.
He has received three Academy Awards for Best Cinematography for the films Apocalypse Now (1979), Reds (1981), and The Last Emperor (1987), and is one of three living persons who has won the award three times, the others being Robert Richardson and Emmanuel Lubezki.
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Fanny and Jean have everything of an ideal couple: fulfilled in their professional life, they live in a magnificent apartment in the beautiful districts of Paris and seem to be in love as on the first day. But when Fanny crosses, by chance, Alain, a former high school friend, she is immediately capsized. They see each other again very quickly and get closer and closer.
The story of a young man who arrives in Hollywood during the 1930s hoping to work in the film industry, falls in love, and finds himself swept up in the vibrant café society that defined the spirit of the age.
Muhammad: The Messenger of God is an 2015 Iranian film directed by Majid Majidi. The story revolves around the childhood of the Islamic prophet Muhammad. The film marks Iran's biggest-budget production to date and is the first part of the planned trilogy on the life of the Prophet. Barring a few scenes filmed in South Africa, the majority of the filming was done at a colossal set created in the city of Qom near Tehran. The film was officially announced in October 2011 and its filming was completed by 2013. The cinematography is done by Vittorio Storaro and film score is composed by A. R. Rahman. The film was selected for the Oscar for Best Foreign Language Film at the 88th Oscar ceremony in 2016, but was excluded from the short list.
A suicidally disillusioned liberal politician puts a contract out on himself and takes the opportunity to be bluntly honest with his voters by affecting the rhythms and speech of hip-hop music and culture.
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A recently widowed American begins an anonymous sexual relationship with a young Parisian woman.
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