detail profile vito priante
Peran Yang Di Mainkan Vito Priante
Premiered in 1787 Don Giovanni exposes the...Mozart: Don Giovanni 2021
Premiered in 1787, “Don Giovanni” exposes the timeless theme of a man hovering between vitality and destruction. Neither morality nor the law can stop this serial lover in his quest to conquer all women as he places his own pleasure above all other principles. Today, the rich depth of Mozart’s masterpiece still astonishes audiences with its mix of comedy and seriousness, pleasure and love, entertainment and murder. At the helm of this new Salzburg Festival production, in a near-live broadcast from the Great Festival Hall, director Romeo Castellucci promises to focus on the ambiguity and inner turmoil of this serial lover whose immoral behaviour condemns him to a deadly solitude. The exceptional cast – featuring Italian baritone Davide Luciano (Don Giovanni), Russian soprano Nadezhda Pavlova (Donna Anna) and Finnish bass Mika Kares (the Commendatore) – is accompanied by the chorus and musicians of the musicAeterna ensemble, conducted by Vitaly Polonsky and Teodor Currentzis.
Antonio Pappano conducts a stellar cast...Royal Opera All-Star Gala 2020
Antonio Pappano conducts a stellar cast of singers in favourite arias, duets and choruses from operas by Rossini, Donizetti and Puccini, along with the thrilling finale of Bizet’s Carmen. Italian baritone Vito Priante offers haircuts as the Barber of Seville, and Lisette Oropesa dazzles with her flawless soprano coloratura before being joined by American tenor Charles Castronovo for some heartwarming comedy in Donizetti’s The Elixir of Love. Mezzo-soprano Aigul Akhmetshina starts out as Cinderella celebrating her good fortune and then magically transforms into femme fatale Carmen for the tragic finale of Bizet’s great opera. The drama increases with Kristine Opolais singing the role of doomed diva Tosca, with Canadian baritone Gerald Finley joining her for the searing Te Deum from Puccini’s masterpiece. The chorus and orchestra of the Royal Opera House are arrayed throughout the stalls of the fabulous auditorium at Covent Garden to maintain social distancing. Presented by Katie Derham.
This occasionally offthewall but finely sung...Rossini: La Cenerentola 2020
This occasionally off-the-wall but finely sung and colourfully staged La Cenerentola was Rome Opera’s first foray into the media market, shown on television and in cinemas across Italy in 2016. It clearly had the funding. Emma Dante’s production will not have come cheap – Vanessa Sannino’s costumes are a particular feature – nor would the singers, given that this is as good a Cenerentola cast as any international house might currently muster.
To bring together again for the...Tchaikovsky: Iolanta / The Nutcracker 2018
To bring together again, for the first time since their premiere on a December evening in Moscow, Tchaikovsky’s opera Iolanta and ballet The Nutcracker, was the audacious challenge that Russian stage director Dmitri Tcherniakov accepted for the Palais Garnier in Paris in March 2016 : a revolutionary production, which was to become one of the key events of the Paris Opera season.
Very rarely staged Il corsaro tells...Il Corsaro 2018
Very rarely staged, Il corsaro tells the story of an exiled corsair called Corrado, who goes to war against the Turkish and helps a slave recover her freedom. But back from a long absence, he realises his heroism has cost the life of his beloved Medora, and not only hers...
La cambiale di matrimonio The Bill...La cambiale di matrimonio 2006
La cambiale di matrimonio (The Bill of Marriage or The Marriage Contract) is a one-act operatic farsa comica by Gioachino Rossini to a libretto by Gaetano Rossi. The libretto was based on the play by Camillo Federici (1791) and a previous libretto by Giuseppe Checcherini for Carlo Coccia's 1807 opera, Il matrimonio per lettera di cambio. The opera debuted on 3 November 1810 at the Teatro San Moisè in Venice Composed in a few days when he was 18 years old, La cambiale di matrimonio was Rossini's first professional opera. The overture, written when he was a student at the Liceo Musicale in Bologna, is an important part of the modern concert repertoire. As was to become typical of his later career, the duet "Dunque io son" was later reused, to greater effect, in act 1 of The Barber of Seville
