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André and Vera are a young entrepreneurial couple. They get the opportunity to pitch their female health app at a prestigious competition. Before going there, Vera tries hypnotherapy to quit smoking. From this point, her attitude changes and André starts to behave unexpectedly.
Rafael and his friends reign supreme in a world dominated by masculinity and casual sex. One of these hookups leads to a passionate but brief encounter with Alex and a moment of intimacy arises between them. However, when Alex shares an intimate moment with another man, Rafael grapples with his own desires and fears, torn between two worlds.
A friendship is at stake when love comes in the way. A hurtful conversation is overheard. The bond between two sisters breaks when a bloody secret is revealed. The girls' bathroom is a place full of conflict that forces the truth to the surface. But it is at the same time forgiving and accepting.
Set in a near-future Sweden, where jobs are scarce, margins are tight and corporate profit trumps all, this timely hybrid film reveals a frighteningly all-too-recognisable economic dystopia. Sköld highlights the effects of the ruthless system on families, friendships and communities. All but a hair’s breadth away from homelessness, zero-hours contract workers squabble over shifts at the discount supermarket while store manager Eleni, a new mother forced to return to work too soon, frantically pumps breast milk in the staff toilets. Poignant and compellingly performed, the film’s vignettes are punctuated with animated sequences, inventively exposing the dehumanising and absurdly wasteful effects of capitalism. And yet, beyond the store, an ever-growing ‘underclass’ offers a sense of hope through sustainability and true community.
The influencer Isabell is going to test Punani Steam in front of her followers. But what was supposed to be a shiny beauty post gets unforeseen consequences and when Isabell tries to explain the situation to the uncomprehending nurse over the phone, it all seems far from her glamorous internet persona.
Parents wait all their lives for their children to say "Thank you!" And the children in turn wait for a "Sorry!". This impossible equation is the starting point in the comedy "Call Mom!" Niki has just turned 35 and has to suddenly grasp all the life choices and relationships she dug for.