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Victor Banerjee (born Partho Sarathi Banerjee, 15 October 1946) is an Indian actor who appears in English, Hindi, Bengali and Assamese language films.
He has worked for directors including Roman Polanski, James Ivory, Sir David Lean, Jerry London, Ronald Neame, Satyajit Ray, Mrinal Sen, Shyam Benegal, Montazur Rahman Akbar and Ram Gopal Varma.
A father and his daughter struggle to survive in deep space where they live in isolation.
A Muslim fundamentalist in New York kidnaps a liberal Muslim scholar with intent to kill. A closeted lesbian in New Delhi kidnaps her activist bisexual lover with intent to marry. The resulting torture and violence evokes a brutal struggle of identities against unfreedom.
Children of War is a movie based on the true events of the 1971 Genocide. Can we, in search of power, become animals? A genocide; neglected! The first use of rape as a weapon of war; undocumented! The lives of millions; unaccounted! The culprits; unpunished!
Tor Naam is a 2012 Bengali movie directed by Jaya Sankar and produced by Weird Industries. The film is a remake of the Telegu movie Kotha Bangaru Lokam.
Based in the municipality of Khwaish, abused by his classmates, Aladin Chatterjee, who was orphaned when his parents, Arun and Riya, died in an accident in Siachen Valley, lived with his paternal grandfather until the later's passing. Now alone, grown up, studying in Khwaish University, and still being abused by fellow-college mates, he finds himself smitten by the lovely US Exchange Student, Jasmine. Unable to express his feelings for her, he rubs a lamp that was gifted to him on his birthday, which summons a genie named Genius. He gets 3 wishes, but wastes 2 of them, but on the 3rd one he insists that Genius assist him to win Jasmine's heart without any magical tricks. Hilarious chaos result when everything seems to fail while an immortal and deadly entity, Ringmaster, and his hordes, prepares to confront Genius and Aladin so that he can acquire more magical powers with the help of the lamp on the day of the sighting of a rare comet and the truth behind the death of Aladin's parents.
An ex-boxer Baldev Choudhary (Dharmendra) has had a stain in his boxing career. He wanted to wash it with his son Angad's (Sunny Deol) success, but times were hard and a financial crunch kept him from achieving this dream. Though Angad pulled through fine, Baldev never forgot who ruined his chance to wash the stain. An opportunity strikes Baldev in the form of a T.V. Show. He trains a local boy to get into this media hyped boxing show, but is ditched for a better coach at the last minute. Baldev's younger son Karan (Bobby Deol) has just launched his first music album. Realizing his father is in crises of his life, he gives up his dream of a musical career to get into the game of boxing.
A poor New York resident, who is of Indian origin, dreams of becoming a fast car race driver. He endeavors, and his efforts are rewarded when he selected by a little-known group called 'RACING SADDLES'. He joins them and soon becomes their ace race driver. This man, whose name is Rajveer, then meets with a rich American woman, also of Indian origin, whose name is Radhika. Both fall in love with each other. They cannot get married, because Radhika's family hates Rajveer mainly because he is very poor. But Radhika is very stubborn, so she marries him. She loses all her rights to her family's wealth. They get married and become parents of two children. They also become very rich. Then Rajveer has an accident which changes their lives forever. They get into debt and stand to lose everything. Will Radhika be forced to return back to her family?
As the modern world hustles toward never-ending changes, the residents of a small Anglo-Indian community in the lively metropolis of Kolkata try to preserve their unique identity in this moving drama from India. A host of characters, including Emily (Lillete Dubey), her son Bradly (Clayton Rodgers) and the woman he loves, Anne (Neha Dubey) -- who's stuck in an abusive marriage -- deal with personal struggles and pressure to give up their homes.
Mina narrates the story to the audience. She is no more and her husband stays with their son in Singapore. They have no contact with her family as she had married against her family's wish.
A passenger on a cruise ship develops an irresistible infatuation with an eccentric paraplegic's wife.
When the movie opens, a woman is recalling the events that molded her perspective on the world. Years ago, her husband, a wealthy Western-educated landowner, challenged tradition by providing her with schooling, and inviting her out of the seclusion in which married women were kept, to the consternation of more conservative relatives. Meeting her husband's visiting friend from college, a leader of an economic rebellion against the British, she takes up his political cause, despite her husbands warnings. As the story progresses, the relationship between the woman and the visitor becomes more than platonic, and the political battles, pitting rich against poor and Hindu against Moslem, turn out not to be quite as simple as she had first thought.
Set during the period of growing influence of the Indian independence movement in the British Raj, the story begins with the arrival in India of a British woman, Miss Adela Quested, who is joining her fiancé, a city magistrate named Ronny Heaslop. She and Ronny's mother, Mrs. Moore, befriend an Indian doctor, Aziz H. Ahmed.
In the year 1856, Nawab Wajid Ali Shah is the King of Awadh, one of the last independent kingdoms of India. The British intend to control this rich land and send General Outram to clear way for an annexation. Pressure is mounting amidst intrigue and political maneuvers, but the Nawab whiles away his time in pursuit of pleasure and religious practice. The court is of no help either — noblemen Mir and Mirza ignore all duties and spend their days playing endless games of chess. Based on Munshi Premchand's short story of the same name. Preserved by the Academy Film Archive in partnership with The Film Foundation in 2010.