Rex Gildo’s songs and musicals made him very popular. His best-known song was “Fiesta Mexicana” from 1972. Rosa von Praunheim tells the story of his life in the context of the gay pride movement, the normative pressures of the Schlager music industry, and the profound changes currently underway.
At the start of the 20th century, a man lives in solitude on an island. One day on the mainland, he saves a young woman from some nasty folk and takes her with him to his island. Her former captors soon find the island as well.
Skoda is the son of a wealthy, overbearing banker and rather than put up with his father to keep a privileged lifestyle, he has chosen to ditch the relationship and drive a taxi for a living. The film follows Skoda on his nightly rides through the city, and though different characters come and go, Skoda meets a kindred spirit in the form of a teenage woman who finds her own home life equally difficult to shoulder. The two young people are gradually attracted to each other, and they end up one night in Skoda's room together. At that moment, the older woman that Skoda had been involved with opens the door and discovers his infidelity. Skoda is living in her house and driving the taxi she gave him -- her commitment was abundantly clear from the beginning. Pushed over the edge, the older woman commits suicide -- and Skoda is blamed for her death by her ex-husband. He swears to avenge her, and the hunt for Skoda begins.
The musician Udo Lindenberg (played by himself) is kidnapped during the party after a concert. Nobody realises this until the next day, when he doesn't show up in time for a rehearsal. Since the police believes this is only a promotion gag, private eye Kuhlmann (also played by Udo Lindenberg) has to be hired to find him in time.
Erika and Franziska haven't seen each other for 4 years. 10 years earlier they both felt that they had the same chances in life: both were young, attractive and imaginative. They overlooked what would, right from the outset, separate them: their very different emotional make-up, their different character. In a long nighttime discussion the friends try to clear up these differences - not without some glimmer of hope.
Corinna witnesses how three guys chase and shoot a man in front of her lonesome house. As only witness, they force her to come with them and care for the guy's wound. But she manages to flee shortly after and takes Blondi to a doctor. He tells her his story, how he used to smuggle drugs, but one day fled with a suitcase full of money. Corinna inexplicably falls in love with him and decides to accompany him on his further flight. But the villains are close behind them.
A German sociologist goes to Sweden to investigate whether the Swedish sin is myth or not. He stations himself in a student home for girls. His fiancée in Berlin fantasizes about the study, and to allay her worries she packs her bags and goes to find him, to convince him to come home.
Love at Twenty unites five directors from five different countries to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of Georges Delerue and still photos of Henri Cartier-Bresson.
Dr. Fritz Böhler is a prisoner of war doctor in the Soviet POW camp 5110/47 near Stalingrad. Despite the harshest conditions, he tries to help his fellow prisoners with the simplest means. But when his assistant Dr. Schultheiss falls in love with the Russian doctor Alexandra Kasalinskaja, Schultheiss not only endangers his own life - because Alexandra is the lover of First Lieutenant Markow.
The social worker Luise Gottschalk dedicates all her passion to the Viennese caretakers and derailed young people. Tirelessly, she advertises to adults for understanding the needs of adolescents. She is particularly committed to a girl named Elfie Breitner who is at risk of drifting into prostitution.