Post-war provincial Iceland: around 1950, Freyja, who'd been a plump teen, returns from America, a widow with a 20-inch waist, seven suitcases of dresses, and a list of who ever wronged or slighted her. She moves in with an aunt and socialist uncle: finding a new husband is high on her agenda, and she's mistrusted by Agga, a pre-teen who's our eyes and ears. The social order and Freyja are more complicated than they seem at first, and so may be her prospects. Class divisions, families ties, pride, the onset of puberty, and the power of Eros sliver the ice.
Victor is the story of a conscientious if somewhat withdrawn traffic warden who through a series of mishaps finally finds his place in life. While the setting is unusual the film addresses a wide range of emotions and morality; Love, deceit, frustrated longings and human dignity. Victor, the eponymous hero of the film, is torn between his desire for the supermodel Kate le Font and the genuine affection of his co-worker Herdis. Victor's story comes to a head when a crooked traffic warden accuses him to hide his own crimes. With Herdis' help our hero narrowly avoids disaster. In a surprisingly complex plot, the film illustrates the dangers of repressed emotions, the liberating power of love and the ultimate triumph of good. All this takes place within the microcosmic context of the traffic warden's world which becomes a reflection of all human drama.
The Icelandic Shock-Station is a thoroughbred Icelandic comedy, where the Icelander's daily life and habits are elevated to the level of farcical confusion and where all the laws of common sense are reversed in travesty of themselves, while at the same time the opportunity is taken to satirize some of the features the scriptwriter feels are blemish on the otherwise smooth facade of the nation's character.
The actress is to produce a play with the local amateur group and old romantic flames are rekindled. At the same time an American army unit is making experiments with a new and powerful energy source in the vicinity, promising the community a prosperous future.
Two rock groups, one male, the other female, decide to do a combined effort to hit the road of stardom by doing a show together. As the show is getting on the road, the lead singers of the two groups have a disagreement which brings about a parting of ways, in love as in life. A historic tour of the country begins, which through the music and performances of the two groups as well as the reactions of their audiences, reveals, beneath the comedy, glimpses of today's real competition between the sexes, seen against the background of Icelandic life.
Various events of importance to the nation and to individual persons during the cold war and from about 1960 emerge as fragments of the memory of a little boy learning about life, about divorce, military occupation, the Beatles, little girls and death.