Valentina Herszage (Rio de Janeiro, March 11, 1998) is a Brazilian actress.
Valentina studied in the New Theater Course at Universidade Cândido Mendes, in Ipanema, Rio de Janeiro and at Catsapá Escola de Musicais.
As a child, she starred in the children's short film Direita É a Mão que Você Escreve (2009), by director Paulo Santos, shown in 2010 at the Florianópolis Children's Film Festival.
In 2015, she was featured in the film Kill Me Please (2015) as Bia and received the Redeemer Trophy for Actress at the 2015 edition of the Rio Festival.
She is also known for Hebe (2019), A Life to Die For (2021) and Raquel 1:1 (2023).
In 1917, Rebeca flees from hunger and war in Poland and arrives in Brazil to reunite with her husband and start a new life. In Rio de Janeiro, she discovers that her husband has died and ends up being held hostage by a large prostitution and women trafficking ring, led by the ruthless Tzvi. Rebeca transgresses her own beliefs and finds allies who are experiencing the same drama. Together, they decide to fight for freedom.
Vera, imprisoned at a military fortress during the dictatorship, 1969, get to know a soldier, Armando, who, in the face of torture, decides to take messages from Vera to his family and establishes an affective relationship with D. Maria, Vera’s mother. Despite the horrors of the time, the film works on this possibility of a dialogue between two lonely and lost human beings: a high-middle-class lady and a young southerner of rural origin. Today, Vera, aged 70, is a professor at the university, and debates with her students about politics, forgiveness and Hannah Arendt.
Raquel is a religious teenager who moves with her father to a small town in search of a new life. During her first days there, she has a mysterious experience which leads her to believe she’s been given an important and controversial mission by God.
Two moments in the life of Pedro. First in 1997, he lives with his family in Rio de Janeiro and works at Gás do Brasil, a company that is undergoing a tough restructuring process, with layoffs and early retirements. Soon, privatization will come. In the second moment, two years later, Pedro lives retired in his hometown Barbosa, in the company of his childhood memories, his dog and his girlfriend. By interweaving these two moments in time, we put ourselves in Pedro's skin and experience his fears and delights.
A group of actors and actresses rehearse play virtually and look for solutions to get around the fact that they cannot meet. Confined at home, they use their own family members on stage. The piece chosen is ÁLBUM DE FAMÍLIA, by Nelson Rodrigues, an attempt to debate the idea of a traditional Brazilian family.
Barra da Tijuca, West Side Zone of Rio de Janeiro. A wave of murderers plague the area. What starts off as a morbid curiosity for the local youth, slowly begins to spoil away at their lives. Among them is Bia, a 15-year-old girl. After an encounter with death, she will do anything to make sure she is alive.