Howells was born in London, the daughter of composer Herbert Howells, and was educated at St Paul's Girls' School, where her father worked as Director of Music.
She made her first stage appearance at Dundee in 1939, in John Drinkwater's Bird in Hand, then moved to Oxford in 1942 and three years later made her London debut at the Embassy Theatre, Swiss Cottage.
In 1947 she appeared in the comedy Jane at the Aldwych Theatre.
After several years in the West End, and a brief stint on Broadway where she appeared in Springtime for Henry in 1951, she began to appear in films.
After the death of her father in 1983, Ursula Howells instigated the "Herbert Howells Society" and became a standard bearer for the promotion of his work.
She financially supported the recording of his compositions and did much to encourage the publishing and promotion of church music.
A squadron leader and a retired milkman decide to bury their differences and move in together after they are both widowed on the very same night. They become a companionable if odd couple, until their unlikely friendship is threatened by the arrival of an alluring woman with a hidden agenda.
Based on a true story, set in the late 19th century: Lord Tichborne, the ninth richest nobleman in England, disappears after a South American shipwreck. Some years later his erudite Afro-English valet, Bogle, is sent to investigate rumors that Tichborne survived and settled in Australia. An alcoholic ruffian answer's Bogle's inquiries claiming to be the lost heir. Bogle suspects fraud, but conspires with the claimant to split the inheritance should the latter succesfully pass himself off to friends, family and the courts. As the claimant returns to England to continue his charade, enough people confirm his identity to make both the claimant and Bogle believe that he just might be the rightful heir after all.
Receiving a tip from his dentist Jack Shorter, policeman Peter Pascoe takes a closer look at the Calliope Kinema Club, a film club notorious for showing adult entertainment movies. Shorter is convinced that one particular scene in a movie he recently saw was too realistic to have been staged with fake blood, but when Pascoe and his bluff superior Andy Dalziel starts investigating, they soon comes across the actress in question, Linda Abbott, who obviously didn't suffer from any harm and assures Pascoe that the concerns are unnecessary.
'Oh I was naughty. And I'm still naughty so take care.' And so Leda was, all those years ago when she was the childhood friend of Jasper and his three sisters April, May and June. Now she returns to add a little spice to life in their crumbling Irish country house.
After divorcing his wife, Patrick Glover decides it is time to remarry, and chooses his literary agent, only to then mistakenly propose to the cleaning lady. Part of his reason for wanting to remarry is to regain some control over his wayward daughters, but they and their lovers continue to complicate his home and his life... A farcical comedy full of hilarious confusions, this feature-length version of the popular sitcom Father, Dear Father is a real gem of British humour at its best.
A successful London ad-exec hires a beautiful Hungarian girl to pose for some modeling shots, little realising that she has overheard an assassination plot and is now being hunted by some dangerous killers.
Five strangers board a train and are joined by a mysterious fortune teller who offers to read their Tarot cards. Five separate stories unfold: An architect returns to his ancestoral home to find a werewolf out for revenge; a doctor discovers his new wife is a vampire; a huge plant takes over a house; a musician gets involved with voodoo; an art critic is pursued by a disembodied hand.
Scotland Yard detectives attempt to solve a spate of safe robberies across England beginning with clues found at the latest burglary in London. The film is notable for using a police procedural style made popular by Ealing in their 1950 film The Blue Lamp. It is known in the US as The Third Key.
Charles Hathaway wakes up in West Wales with no recollection of who he is or how he got there. With the help of a Cardiff specialist he traces his life back to his gorgeous wife and their large London house, so all seems well with the world. But more detective work starts to uncover an alarming chain of further stunning wives and a way of going on that the new Charles finds pretty unacceptable.
Jean Raymond an upper class woman with a gambling addiction, is given a twelve-month prison sentence resulting from her inability to pay her debts. At first she is overwhelmingly depressed by life in the women's prison; gradually, however, her misery is relieved by the many close friends she makes there. This sympathetic drama traces the contrasting lives and often faltering progress of the inmates of a women's prison.