The story centers on Yoshio, a poor and struggling manga artist who lives in Kitamachi. He is sent by Oyaji, the landlord of his apartment who is also engaged in other shady businesses, to help a novelist called Imori move in, and meets a recently-divorced woman named Fukuko. Yoshio is immediately bewitched by her beauty, even though she is already seeing someone else. In the meantime, Imori establishes an advertising agency, borrowing the name of a larger agency from the wealthier Minamicho, in order to sell his novel. Yoshio ends up helping with Imori's efforts, and somehow Imori and Fukuko come to live together with Yoshio.
Satomi, who quit her job, runs a grocery store run by her older sister, and meets a man waiting for her lover in front of the store. The two accidentally leave the store and talk while walking through the streets of Tokyo. Without knowing whether it is true that they are talking to each other, the two are slowly dragged along... .
Hitoe is 34 years old. Her husband is overseas on a business trip, and she wanders aimlessly around town every day, filling her idle time with alcohol. Masaru is 48 years old. A train conductor. He gave up on his dream of becoming a driver after failing the national exam three times. The two meet each other while they have families.
A surprising and humanistic drama that questions the meaning of happiness through the strange fate of one man who caused an accident. One night, a taciturn and clumsy man working at a scrap iron factory in the suburbs of Tokyo, causes an irreparable accident with his colleague. The two try to hide the incident but the man’s fate takes a turn for the worse and his colleague and family are faced with threats to their survival. A psychologial thriller that reveals the ills of Japanese society along with the darknesses of the human heart based on a script full of surprises written by the director Dai Sakō. Tomomitsu Adachi, who plays the lead role, exudes an eerie charm, and is flanked by many of Japan's best supporting actors such as Yutaka Matsushige and Shohei Uno.
Japan, 1944. Trained for intelligence work, Hiroo Onoda, 22 years old, discovers a philosophy contrary to the official line: no suicide; stay alive whatever happens; the mission is more important than anything else. Sent to Lubang, a small island in the Philippines where the Americans are about to land, this role will be to wage a guerrilla war until the return of the Japanese troops. The Empire will surrender soon after; Onoda, 10,000 days later.
Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter.
Chiwawa is a popular girl. One day, her dismembered body is found in Tokyo Bay. Chiwawa's friends gather to remember her, but they realize they do not know anything about her background or even her real name.
Narumi is on bad terms with her husband, Shinji, when, one day, Shinji goes missing. He comes back a couple of days later, but he seems like a totally different person, and he is now gentle and tender. He goes for a walk every day. Meanwhile, journalist Sakurai covers the story of a family that was brutally murdered, when an unexplained phenomenon takes place. Shinji Kase tells his wife that he came to Earth to invade.
1930s Korea, in the period of Japanese occupation, a new girl, Sookee, is hired as a handmaiden to a Japanese heiress, Hideko, who lives a secluded life on a large countryside estate with her domineering Uncle Kouzuki. But the maid has a secret. She is a pickpocket recruited by a swindler posing as a Japanese Count to help him seduce the Lady to elope with him, rob her of her fortune, and lock her up in a madhouse. The plan seems to proceed according to plan until Sookee and Hideko discover some unexpected emotions.
1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.
1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.