unReal is for those of us who escape. A film that celebrates breaking free from the confines of reality and venturing into a boundless world. This place isn’t remote or hard to find, and yet many never see it. Here, glacial walls transform into mountain bike trails, rain and snow aren't the only elements to fall from the sky and thousand pound mammals become riding partners. Breathtaking visuals conjure feelings of awe and pure joy; feelings that only those of us who venture outside can truly understand. This film is dedicated to you — the dreamers, the rule-breakers, the ones who never grow up, the ones who know the secret — the ones who know the way into the unReal world.
Viewed at a distance, the world of mountain biking is a disjointed network of seemingly similar but disconnected communities. Freeride. Downhill. Big Mountain. All Mountain. Dirt Jump. Slopestyle. A sport of individuals, equally defined by their many differences, as the common threads that bind. And while our story doesn't follow a straight line, we all end up in the same place. Tire to ground, foot to pedal, hand to bar – communities drawn together by trails of dirt.
Deep in the coast mountains of BC, a small crew of filmmakers has spent the last eleven months huddled together, planning, scheming and brain-storming to come up with a concept for a new company and mountain bike film. The hard work has paid off and Anthill Films is stoked to announce the release of their premier film FOLLOW ME...
Le choix des lieux tournage s'inspire des scènes classiques aux documentaires animaliers ou géographiques : montagne, océan, îles, déserts... Chacun des longs-métrages de la série " Perfect Moment " se décline sous format de 90 min.
Ride To The Hills from 2001 is an all-out metal driven freeride assault. It features all the early Canadian freeriders ripping it up on what have now become the standard locations from The Shore to Virgin, Utah. You will get a glimpse of the short lived urban freeride trend and a lot of XC helmets. There are plenty of big Southern Utah hucks long before Rampage was conceived. Darcy Wittenburg of The Collective/Anthill worked on the cinematography and was there ever a film where Sterl wasn’t somehow involved?