Nazim, a foreman working on a dam construction, falls in love with Aysel, the most beautiful girl of the local brothel. Too shy to identify himself, Nazim sends her love letters, signing as Orhan, one of his employees - and a man with not many scruples... When Aysel arrives on the construction site, the deception does not last long. It all ends in a happy marriage. Only, it's not the end yet.
The story of young girls who fall into brothels while looking for a job through newspaper ads.
While Elif is pregnant, she receives a blow to her stomach, and the baby remains paralyzed because the baby's food cord is damaged. When she cannot heal her baby in the village, she comes to Istanbul and tries to get to know the city and the people in it.
When her father dies, Kezban goes to her Uncle Temel’s home in İstanbul. Her uncle’s wife Emel and his stepdaughter Nazan are annoyed with her arrival. One day, Kezban goes to a ball. She spends time there with Erol, a friend of Nazan. They fall in love. The next day, Erol goes to Rome.
An engineer Muammer explores the goldmine. A mafia abduct the Muammer to learn the place of goldmine. Police officer Orhan infiltrates a gang as a hit man to recover Muammer.
Kilink visits Istanbul to grab a destructive formula which is in the hands of an once-collaborate scientist, Professor Houloussi. He murders him, kidnaps his daughter, tortures her in some gloomy dungeon, and then kidnaps more people and tortures them but still, the formula remains hidden. Meanwhile, the son of Professor Houloussi is blessed by a Devinne spirit and turns into Superman! But will he be a worthy opponent to the unbeatable and evasive master of all criminals, Kilink?
Young people who come together for revenge begin to be affected by each other. Young people resort to all sorts of ways to overcome their father's hostility.
Based on a comic novel, this Turkish fantasy movie shows some resemblance to Casper.
After the release, Iki Gemi Yanyana (Two Ships Side by Side) stirred controversy over its treatment of lesbians, showing two women kissing each other on the lips (later, in Dul BirKadın (A Widow), director Atıf Yılmaz took up the same theme again). This scene creates a moment of interest in this otherwise conventional film.