Kapil and Somya fall in love, get married and are happily living in a joint family. However, soon the love fades away and the couple is on the verge of a divorce, but not a real one as a twist awaits the two families.
Two womanizing bachelors fall in love with twin sisters who run a sex addiction clinic.
The sequel carries forward the tale of power and revenge which exploded in Rakht Charitra 1. The rebel leader turned politician, Pratap consolidates his political base but is forced to retread the path of vengeance once again after a rival from the past, Surya Narayan Reddy chooses to avenge the assassination of his family. Surya swears vengeance against Pratap after his family is wiped out in a bomb attack and Pratap is hell bent on decimating his enemy, even if it means separating ways with his mentor and political veteran, Shivaji.
A 15-year-old Maahi, who hails from an rich family, falls in love with Kabir, a 17-year-old. When she becomes pregnant, their families' opposition forces the couple to elope.
Two straight guys pretend to be a gay couple to secure a posh Miami apartment, but fall for their gorgeous roommate. Hilarity ensues as they strive to convince everyone of the ruse while secretly trying to win her heart.
Dia is a divorced mom living in New York and must go back to India after she receives news that her guru is on his death bed. When she arrives she finds he is gone and has left her the responsibility of saving and reviving the Ajanta Theater where she used to dance. The problem is that the political officers want it torn down and turned into a shopping mall. The storyline follows Dia and her challenge to stand up for what she believes in and fight the cause to the end, while trying to win back the love and support of the people of the town whom she walked out on ten years prior.
Two college students exchange their classes after the college management mixed their identical names by mistake.
An employee at an Indian call-center travels to San Francisco to be with a guy she falls for over the phone.
Two brothers -- Ranvir and Rajvir along with their parents move to Mumbai. They endure numerous hardships, but their will to survive prevails and they succeed. Soon, their parents pass away, leaving young Rajvir in the care of Ranvir. Now wealthy beyond any means, Ranvir runs the business and Rajvir lives recklessly. When Rajvir falls in love, Ranvir arranges his marriage, but to his dismay finds out that he has arranged his brother to marry the girl he loves.
Ballu is a notorious criminal who is wanted by the police for a plethora of crimes. Bright and ambitious Inspector Ram finally arrests him, only to have Ballu escape right under his nose. Ram's girlfriend, Ganga volunteers to go undercover to trap Ballu and help restore Ram's reputation. Things get more complicated however, when Ballu falls for her and she finds that she isn't entirely immune to his charms.
The Verma family consists of two brothers, Vijay and Sharad (Jeetendra and Govinda respectively), Vijay's wife, Ganga (Reena Roy), and their daughter. Sharad is unmarried and is studying in college, while Vijay runs the household on his income. In college, Sharad meets with Punam (Meenakshi Sheshadhri) and both are attracted to each other. Ganga and Vijay get them married, but permit them a married life only after they complete their studies, which they do so. They are devastated to learn that Punam cannot be a mother, so Ganga lets Punam mother her child. Soon Sharad gets a job, which gets him to re-locate to another city, and there are tearful good-byes. Punam decides to keep Ganga's child with her. But Ganga has been kind to Punam and Sharad for a reason, and now the time has come for payback.
Sir is a 1993 Bollywood film directed by Mahesh Bhatt starring Naseeruddin Shah, Pooja Bhatt, Atul Agnihotri and Paresh Rawal.
Ashok Bansal has a traumatic childhood which teaches him that money matters most to people, even more than their kids. Ashok starts hating poor people & starts working hard to get out of poverty, at the expense of his own family. However, Ashok’s life changes forever when Munna enters his life.
Shanichari is a beautiful girl born in lower cast and her life is full of sufferings because of lower cast, poor finances, lost parents, drunken husband, mischievous son. The title refers to a custom in some parts of Rajasthan—where aristocratic women were long kept secluded and veiled—of hiring professional women mourners on the death of a male relative, a rudaali (pronounced “roo-dah-lee”—literally, a female “weeper”) to publicly express the grief that family members, constrained by their high social status, were not permitted to display—or at times, perhaps did not feel. Underwritten by the National Film Development Corporation (NFDC) and Doordarshan (Indian national television) and based on a short story by famed Bengali author Mahasweta Devi—whose tales often focus on the travails of low-caste women.