Susan Florence Anspach (November 23, 1942 – April 2, 2018) was an American actress.
Susan Florence Anspach was an American stage, film and television actress who had roles in films during the 1970s and 1980s such as Five Easy Pieces, Play It Again, Sam, Blume in Love, Montenegro, Blue Monkey, and Blood Red.
Set in 1973 and inspired by true events, 'Wild About Harry' follows the havoc wreaked in a teen girl’s life when she discovers that her widowed father is gay. Alternately comic and tragic and anchored by an impressive ensemble cast, the film captures both the freedoms and the homophobia of the time – all set against the backdrop of small town America on Cape Cod. British widower Harry Goodhart decides to make a fresh start and moves with his teenage daughters to Cape Cod in 1973. But Harry can't leave behind the secret that threatens to tear his family apart. Adjusting to their new lives proves difficult for the girls when they discover that the connection between their dad and his partner is more than just a working relationship.
A betrayed wife, whose husband leaves her after 25 years, returns to the lake where she first fell in love and begins an affair with the son of her first love.
While working in a greenhouse, a man receives an insect bite after touching an exotic plant. Immediately, he falls ill and is taken to an emergency room where the doctors diagnose him as suffering from an unknown bacteria, and a strange parasite which emerges from his mouth as a large slimy wormlike creature. Soon, there are more cases of bacterial infection, but the more immediate problem for the hospital is the wormlike creature which after accidental exposure to a genetic growth stimulant grows to monstrous proportions and starts a reign of terror and bloodshed in the hospitals abandoned wing.
Marilyn Jordan, an American, lives in Stockholm with her Swedish husband and family. Her behavior is bizarre, perhaps mad: she poisons the dog's milk and advises the dog not to drink it; she sets the sheets afire as her husband sleeps; she crawls under the dining table to sing. While detained at airport customs for carrying pruning shears, she meets a young Yugoslav woman and goes with her to a Gypsy enclave where she's fought over, takes a lover, helps with the sordid entertainment at a bar, and returns home more dangerous than before. The film also tells parallel stories of Marilyn's daughter becoming a junior homemaker as the young immigrant practices her striptease.
When Max dies in an accident, he goes straight to Hell. But the Devil Barney makes him an offer: if he manages to get three innocent youths to sell him their souls in the next two months, he may stay on Earth. Max accepts, and returns to Earth, equipped with special powers. However, his task is harder than expected, especially when seven year old Tobi demands that he marry his mother.
Private detective Moses Wine is hired by his former college girlfriend to investigate a political smear campaign and he sets out to find out who is responsible, with deadly results.
An embittered professional wrestler, convinced that his life has no meaning outside the ring, meets a beautiful woman. Unlike most of the women he has known, she seems to be interested in him for himself rather than his fame or his money, and he finds himself becoming attracted to her.
Lawyer Stephen Blume, who specializes in divorces, lives a paradoxical situation when, having his own marriage break up, is still in love with his ex-wife.
A neurotic film critic obsessed with the movie Casablanca (1942) attempts to get over his wife leaving him by dating again with the help of a married couple and his illusory idol, Humphrey Bogart.
At the age of twenty-nine, Elgar Enders "runs away" from home. This running away consists of buying a building in a black ghetto in the Park Slope section of Brooklyn. Initially, his intention is to evict the black tenants and convert the building into a posh flat. But Elgar is not one to be bound by yesterday's urges, and soon he has other thoughts on his mind.
In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?