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Stephen Belber (born March 3, 1967) is an American playwright, screenwriter and film director.
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The Confession is a Danish film, an intense chamber drama infused with a twist of underlying humor, that delves into the boundaries of guilt, consent, and memory. Loui and Jacob, old friends from film school, meet in an anonymous hotel room. What Jacob doesn't know is that Loui has planned the evening as a confrontation: he wants to challenge Jacob with an accusation of a sexual assault he may have committed against their mutual friend, Sofie. As the night unfolds and their versions of the truth collide, the confrontation escalates into a gripping and emotionally charged battle over guilt and responsibility. In the final act, Sofie, the central figure in their conflict, enters the story, adding unexpected perspectives to an already complex narrative. The film, a Danish adaptation of Richard Linklaters's Tape, written by Stephen Belber, balances its heavy themes with subtle humor, challenging the audience to reflect on what defines an assault and who owns the truth.
A New York City politician is forced to navigate her complicated past with a young woman recently released from prison and corporate attorney. Power constantly shifts among the three characters as they fight for their version of the truth.
When a car crash leaves Frannie immobilized, she is brushed off by everyone she can count on. With nowhere else to turn and desperate for help, she turns to an unlikely source, her ex Devon.
A traveling art saleswoman tries to shake off a flaky motel manager who falls for her and won't leave her alone.
"The Laramie Project" is set in and around Laramie, Wyoming, in the aftermath of the murder of 21-year-old Matthew Shepard. To create the stage version of "The Laramie Project," the eight-member New York-based Tectonic Theatre Project traveled to Laramie, Wyoming, recording hours of interviews with the town's citizens over a two-year period. The film adaptation dramatizes the troupe's visit, using the actual words from the transcripts to create a portrait of a town forced to confront itself.
Jon, a first-time filmmaker, finds himself in Lansing, Michigan to present his film at a local film festival. Vince, his high school friend who is now a volunteer fireman and small-time drug dealer, also visits the town to support Jon on his big day, or so it seems. After a raucous hello and much backslapping, it appears that there is an undercurrent of tension in the air.