detail profile stephen andrews
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Peran Yang Di Mainkan Stephen Andrews
The 1st part of the 2nd...the 1st part of the 2nd half 2015
The 1st part of the 2nd half is a visual poem wrestling with ideas about love and resurrection.In the artwork’s initial incarnation all of the oversized frames were installed as filmstrips in a room to create the appearance of a giant trim bin that the the editor/viewer entered. The conceit was casting the viewer as a Lilliputian editor of an analog film and requiring of them to piece the ‘film’ together in their minds. In 2015 all the frames were re-shot and animated. There are two versions of the piece.In addition to this version (17:31 minute) gallery version, an additional version is available. It is a 40 minute slowed down version with a soundtrack by Mary Margaret O’Hara recorded live during its inaugural viewing.
For more than two decades Mike...Buffalo Death Mask 2013
For more than two decades Mike Hoolboom has been one of our foremost artistic witnesses of the plague of the twentieth century, HIV. A personal voice documenting and piercing the clichéd spectrum of Living With AIDS from carnal abjection to incandescent spirituality, no surviving moving image visionary surpasses him. Buffalo Death Mask is a three-part meditation — visual, oral and haptic, both campy and ecstatic — on survival, mourning, memory, love and community. A conversation between Hoolboom and visual artist Stephen Andrews, both long time survivors of the retrovirus, floats over what seems to be a dream of Toronto and some of its ghosts. No one savours the intimations of immortality inherent in recycled footage like Mike, no one else understands how processed Super 8 can answer the question “Why are we still here when so many are gone?"
A car commercial send up in...
An analog animation using the same...On Message 2006
An analog animation using the same set of drawings to tell four different versions of the same story. The emotional fallout of two witnesses to a police shooting, a musical about groovy gay boys making the scene, a cop show about the chase and arrest of a suspect, and a news report about soldiers on leave in Iraq.
Animation based on a video clip...
The adventures of a porn potato...
Positive Men begins as a docudrama...Positive Men 1995
Positive Men begins as a docudrama which illustrates the impact of the AIDS epidemic on gay men in the early 1980s. Memories of New York and San Francisco are the backdrop for seven dramatic scenes which designate the intersection of community support, medical science, and gay politics that emerged in response to the AIDS epidemic. Words and images from these scenes resonate throughout the documentary portraits which follow. The interviews, conducted in Toronto and San Francisco (1993-1994), feature artists, filmmakers, AIDS community workers, writers and volunteers who have made unique contributions within the cultural and community responses to AIDS.
