Sreela Majumdar (died 1/27/2024) was an Indian film actress who was predominantly associated with Bengali cinema.
She made her industry debut with the 1978 movie Parashuram, under the direction of Mrinal Sen, and then went on to be a part of several movies like Ek Din Pratidin, Akaler Sandhane, Chokh, and Arohan.
She was seen as a woman from a brothel in director Shyam Benegal's 1983 film Mandi, starring Shabana Azmi and Smita Patil in the lead roles.
She then featured as one of leads opposite Om Puri and Anil Chatterjee in the role of a widow in the film Chokh.
She was also part of movies like Ek Pal (1986) and Prasab (1994).
Her 2017 venture includes the drama Baranda, which depicts the complexity of human relationships through the lives of two people.
The movie stars her as one of the leads opposite Manali Dey, under the direction of Reshmi Mitra.
Her 2023 releases include Palan, directed by Kaushik Ganguly.
A woman tries to uncover the mystery behind a series of mysterious packages from an anonymous sender that threaten her marriage.
Shankar Mudi (শংকর মুদি) is a Bengali Political drama film directed by Aniket Chattopadhyay and produced by Kaustuv Ray.[1] This film was released on 15 March 2019 under the banner of RP Techvision India Private Limited. Bengali Actor-Director Shri Kaushik Ganguly plays the Titular role[2][3] and music direction of the film was made by Kabir Suman.[4]
Subhash is a photographer from the city, who has come to take pictures of some old temples and ruins in a village. Ruins fascinate him. While in the village, he gets acquainted with a young woman, Jamini, who has had her heart broken in the past, by another visitor from the big city. Will history repeat itself, or will she find a way out of the ruins at last?
The denizens of a brothel deal with internal drama, as well as pressure from greedy land developers and an anti-sex work politician to leave town.
A pre-teenager servant boy dies of carbon monoxide poisoning on a cold winter night in the kitchen. The happy household is suddenly thrown into a psychological trauma. Torn between a sense of guilt and fear of a police case and consequently scandal, the employer and his wife expose their petty, hypocritical selves.
The bread-winning daughter in a middle-class family fails to return from work one evening. The saga begins with worries at home, followed by midnight searches and finally a deepening crisis arising out of economic and moral constraints prevalent in the society. Yet the film speaks of hope and of strength hidden behind despair.