atau dikenal sebagai
Ramlah binti Mohamad or better known by her stage name Siput Sarawak (born 1921 – 3 June 1999) is a Malaysian actress.
She made her first acting debut in B.
S.
Rajhans first feature, Filem Cinta alongside the late S.
Roomai Noor in 1948.
Filem Cinta gave hope to her because after the film, she and S.
Roomai Noor soon got married and was gifted with a child named Ithnaini or was better known today as Anita Sarawak.
She passed away on 3 June 1999 at blok 9 Kempas Road, Singapore at the age of 78 .
Her body was laid to rest at Pusara Abadi which is located at Lim Chu Kang, Singapore.
At that time, she was the neighbour to another fellow actress Hashimah Yon.
During the trouble-plagued making of a movie in production, a spoiled young actress named Ena Manjalara learns the true meaning of friendship, respect and artistic devotion based on her dealings with the idealistic director Malik and the production assistant Daud, whom she initially seduces. Daud is also related to Zai, a former old movie idol who is now destitute and losing her grip on reality.
Mayang raise by her aunt, Mak Tijah. Mak Tijah always ask Mayang to do hard work. But without Mayang own knowledge, she actually often assisted by spirits. Mayang then forced to marry a rich man Daud. When a struggle ensued between Mak Tijah and Mayang, they fell into the river. Mak Tijah drowned but Mayang was saved by spirits.
Siti Zubaidah is based upon the 19th century poem 'Syair Siti Zubaidah Perang Cina'. It centers on Siti Zubaidah, the wife of Sultan Zainal Abidin, who is left defenseless after her husband is taken hostage by a Chinese empress. She eventually allies herself with Princess Rukia of Yunnan, who had fled her own palace under threats of sexual assault. Taking matters into their own hands, they adopt male identities and lead a military conquest across China to rescue the Sultan. Directed by B. N. Rao and starring Maria Menado, the Cathay production borrowed from both of its niches at the time: the film language and costume styles of Malay cinema and Chinese wuxia films, resulting in an imagined reality fusing both visual cultures. At the core of the myriad garbs, armour, accessories and makeup donned by the characters, the tale chronicles the adoption of transformative identities to overcome adversity, enact justice and revenge.
Based on the royal and political events during the heyday of the Malacca Sultanate. A member of the Sultanate, Megat Datuk Seri Rama, successfully defeats a group of pirates, and rescues a local beautiful woman in the process. The king, Sultan Mahmud, was delighted with his victory for his kingdom and promotes Megat Datuk Seri Rama to Rear Admiral Datuk. This leads to resentment and jealousy from another member of the court, Bija Tun Ali, especially after Rear Admiral Megat Datuk Seri Rama marries the woman he rescued. Bija Tun Ali then leads a conspiracy against him which ultimately leads to tragedy and upheaval in the kingdom. Written by mahajanssen
Produced by Cathay-Keris, this omnibus of three stories (with different directors) was adapted from mystery tales featuring Detective Inspector Latiff (S. Roomai Noor), a character created Pelham Groom, a former British officer and genre writer who settled in Singapore. Latiff’s ‘Watson’ is a female Chinese forensic doctor (Mary Lim), and the first story 'Mud on Her Shoes' hinges on the romance between an English expat and a Malay woman. The second story is the titular 'Hantu Rimau'. The third tale ’Double Knock Out’, heralded as the first depiction of a local boxing match, was shot in Happy World (later renamed Gay World), one of the night-life amusement parks known as the ‘Worlds’. 'Mud on Her Shoes' directed by L. Krishnan, 'Hantu Rimau' directed by B.N. Rao, 'Double Knock Out' directed by S. Roomai Noor
Husein is brought to trial after trying to commit suicide. He refuses to give an explanation until he is forced to. Then he begins his story. Husein enters university with help from his unmarried brother, Hasan, who dedicates his life for Husein and his sister Munah who has a heart ailment. But when Hasan meets Rahimah, Husein’s friend, Wahab, gets jealous as he considers her as his girlfriend. Wahab is very bitter about this and swears revenge. At Munah’s urging, Hasan marries Rahimah. Their happiness is short-lived since Wahab starts to woo Rahimah. After Husein punches Wahab, the latter starts spreading slander. He tells Hasan that Husein is sleeping with Rahimah. Jealousy and rage start to build up and Husein and the pregnant Rahimah are thrown out of the house.
The same year Shaw’s Malay Film Productions released P. Ramlee’s Penarek Becha, they also produced this melodrama centred around another humble trishaw driver. Like Ramlee’s film it was co-written by young literary upstart Jamil Sulong (who later became a director). Similar issues around class, wealth and modernity are explored through the tale of a kindly older trishaw driver (Omar Rojik) who adopts Jamilah, an orphan and marries her guardian, offering her a simple but better life (including a very, very long visit the circus). As the years pass Jamilah pulls away from her impoverished kampong life towards a world of motor cars and monied families, while kind Omar’s health is failing. A classic slice of social-realist melodrama.
Jamal the son of Kamal a woodsman owner is married to Aminah. Their marriage is blessed even more with Mardiana their new born. But their happiness was short lived when Jamal started to mix around with Harun and his bad influenced friends. Harun is an insurance representative who also works for Aishah the stunning beauty. Jamal is attracted to Aishah so much that he starts to abandon his family. Jamal had to spend a lot of his money to accompany Aishah who is used to the lifestyle of a rich person. Will Jamal ever repent and come back to his originally family and be the father figure he has been all these while?
The film tells the story of a young Javanese man, Ahmad, who leaves his village with a magic protective dagger given to him by his mother. He takes to the seas, eager to discover the world. He reaches the exotic Arabian coast, and travels all the way to Egypt, encountering belly dancers, harem women, etc. He meets Princess Nilam and falls in love. Nilam's father will allow Ahmad to marry her only if he brings back a blue diamond guarded by monsters at a faraway location.
Kassim is living with his brother and sister-in-law when he finds out he is about to inherit all his family's wealth. Kassim, a young man who prefers to sing and play, is thrown out of his home by his brother and deprived of his wealth. He starts to lead a wandering life with two friends. One day, Kassim discovers pirate treasure. (This film is different from the 1952 film Anjuran Nasib, also directed by B.S. Rajhans).