From Wikipedia, the free encyclopedia
Sílvia Marsó (Barcelona, March 8, 1964) is a Spanish film, stage and television actress.
She started in the TVE game show Un, dos, tres.
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responda otra vez.
How does the vision of the brilliant Spanish filmmaker Luis García Berlanga (1921-2010) remain relevant in a time whose popular culture has little to do with his own? Since to understand the secrets of an artist it is essential to know the person behind, his family, his friends, his collaborators, as well as prestigious filmmakers and actors trace a collective portrait of a creator as singular as he is universal.
At the height of her fame in 1954, actress Ava Gardner transplanted herself from Hollywood to the country of Spain. As she lovingly stated in her autobiography, “I don’t know if it was the climate, the men, or the music, but as soon as I set foot in Spain, I had a crush on this country.” In this documentary by Sergio Mondelo, the filmmaker explores the motivations behind this move and contrasts Gardner’s glitz and glam lifestyle with the hardships faced by the Spainish people under Franco’s rule.
Fan girl finds herself torn between the attraction for her film idol and her best male friend.
Like so many other actors, Ava Gardner hated to watch her films. She said that the woman on the screen wasn't her. But all films tell two stories: the plot and the tale of the bodies filmed. This film narrates what happened between two images: a first shot of 'Pandora' and a first shot of 'Harem', the first and last movie filmed by the actress in Spain. Ava must certainly have thought that neither of these two women had anything in common with herself.
Cristina is a young literature student who works at night in a bar, Rosa is a brilliant executive in his thirties, and Anna is married and has one son. All three are sisters, and every one thinks her life is worthwhile and that their sisters have taken the wrong way. But it is time to recognize their dissatisfaction, and perhaps they are needed more than they are willing to admit ...
Ismael breaks into the house of a fine art restorer and shoots the homeowner dead, leaving her daughter orphaned and traumatized for life. Years later, Ismael is working in a bar where he sees the daughter again. Paranoid that she has recognised him and will report him, he kidnaps her and holds her hostage, demanding that her hospital pay a ransom for her release. As he spends more time with her, a strange bond develops that causes him to delay the ransom request or fulfil his threats of throwing her in front of a train. But he can’t delay forever…