Nozomi Hanada, the underboss of the Kanto Saiseikai Obara Group, lives his life on the path of chivalry while protecting his happy family with his wife Komaki and son Toru. One day, a major incident that shakes the Kanto Yakuza society breaks out. Nishimatsu, the chairman of the Saiseikai, decides to have the popular Obara succeed him, instead of the powerful Fukui. However, the ambitious Fukui is not satisfied with the decision and stabs Nishimatsu to death in order to take the chairman's position. He takes the outrageous step of putting the stigma of parent murder on Obara. Nozomi and his friends decide to fight to live the path of chivalry, but an even more cruel fate befalls them.
Legendary samurai Jubei Yagyu must face off against a necromancer and his army of the undead in order to rescue Ohiro the young ninja girl from the clutches of Inshun Hozoin, the evil man slated to become lord of darkness on the eve of Armageddon. No living man is a match for Jubei's sword, but what skill can this mythic swordsman employ to defeat an army of the undead?
Junko (Sho Aikawa) is a low-level yakuza in the service of Yoshikawa (Toru Minegishi), despite the misgivings of his uncle (Jo Shishido). He lives off of the money earned by his girlfriend and is more interested in trying to look cool than anything else. He meets Yumeko (Chikako Aoyama), an innocent but dangerous narcoleptic runaway, after she steals his car, and she soon moves in with him. Following the assassination of a high-ranking member by the Kazama Family, Junko is called on to be the lookout while the family gets revenge. However, the other men quickly "zoom", or escape from their duty, leaving the task to Junko. Will he take out Kazama, or will he zoom?
In a futuristic version of medieval Japan, a band of swordsmen battles an evil warlord and his mechanical army of ninjas, and are aided by a mysterious heroic cyborg ninja, Shiranui.
After a Space Beast throws them off Shuttle Base, the Changeman scramble to get their ship back as Sayaka tries to protect it from the inside.
The Changeman must work with an earthquake institute to prevent Earth from being destroyed in a sea of fire by the Gozma.
The film portrays the life of Tatsuya, a young man of proper descent whose outward respectability hides his urges for rape and torture. This handsome rapist seduces women, then brings them to the basement of the mansion he inherited from his well-to-do parents, where he indulges in lengthy sessions of sado-sexual violence. Based on manga by Masaaki Sato.
Okoma (literally, Red Cherry) was a woman gambler until she retired from the yakuza world. Two years later, she returns home, and finds that the big boss has been assassinated and his daughter is having trouble keeping things in line against the rival gang headed by the men who killed her father. Okoma decides to avenge her former boss and help his daughter, a former friend of hers. She recruits her own gang, starting with an expert knife-fighter, her former lover. After a fight, the new Gang Leader captures and tortures Okoma sadistically.
Shihomi Etsuko plays a race car driver who also lends out her services to the Japanese Secret Service. Although there really isn't much of a "chase" to be seen, Shihomi does pursue a cartel of drug runners and assorted Japanese yakuza types. While the story is pure 70's exploitation and gritty crime drama, the best reason to see it is for the Martial Arts Action of Etsuko Shihomi. The action is over-the-top and at times hilarious (i.e. Shihomi battling the lead criminal atop a moving gondola or Shihomi battling a whip-wielding Catholic Nun).
Koryu heads to Yokohama in search of a woman named Birei, kidnapped by diamond smugglers who move their hot rocks by surgically implanting them into the nubile buttocks of Chinese prostitutes. Koryu's older sister, working as a jewelry designer, is secretly, if unhappily, involved with the gangsters.
Three stories of moral sickness set during Japan’s prosperous Genroku era are told in this bloody follow-up to the sexploitation classic Shogun’s Joy of Torture, the politically incorrect moral lessons paint a trio of tales of tragic heroines caught up in violence, sadomasochism, incest and torture.
Jun Aisaka seduces one woman after another. His victims were flirtatious married woman Noriko, student Keiko, widow Mitsuko and dancer Rumi. As a result, he ends up in prison, but after escaping with another prisoner, he continues his criminal adventures with a partner. It is clear that this will not end well. Moreover, a couple of detectives are already on the trail of the criminals.
A wealthy real estate investor is forced to watch the rape of his girlfriend and then is sent a film showing the fact. He hires a hitman, Sho, and shows him the film, so that the detective can get rid of the criminals. But the boss of the criminal band is Ko, Sho's archnemesis, who raped and murdered his girlfriend.