Niramu, who has just been appointed as a DGP producer, goes to the Sengoku period in Japan for his first job. There, he learns about the "realism" of this era from the navigator, Miiru, and savors the valuable experience. Meanwhile, Nemeru, a veteran producer who has been active in DGP since its inception, makes a suspicious move... Realism and fiction - what is necessary for true entertainment?
Based on a popular comic by Kazuto Okada, this is the sixth episode of the series, which is the final story of the school romantic comedy "Not in Textbooks!" that depicts the cohabitation life of a cute and popular high school girl and a Japanese language teacher swayed by her. Aya Shirakaba became a third-year student at Otome High School, and now it's only one year before graduating. It's been another year since she lived with her homeroom teacher, Arihiko Tairaku, but at that time, a story about a marriage with May was brought up in Tairaku. On the other hand, Aya's father, who wanted to separate her daughter who is too close to Tairaku from him, tells Aya about studying abroad. Aya listens to her father and decides to study abroad. Ayaka Morikawa and Ryouma Baba, who have starred in the whole series, play Aya and Tairaku respectively, and Sena Natsuki, a gravure idol, plays the role of May who is in a triangular relationship with the two.
Shun is a transfer student who can't seem to adjust to his new class and falls into mild depression. However, one day he meets some fellow students by chance in front of a creepy Western-style mansion called the "Jailhouse" which is rumored to be home to a hideous blue monster. Soon, the group of six students, led by Shun and Anna, become trapped inside and desperately attempt to escape before the monster finds them.
Both TyrannoRanger and AbaRed are attacking the Kyoryugers because of mind control by Space War God Boldos. Boldos uses the feelings of revenge from enemies defeated by heroes who uses the power of dinosaurs, creating Neo-Grifforzer and Neo-Geildon, clones of past enemies as well as Enter and Escape,enemies of the Go-Busters. Villains spanning generations are united into a single evil force. The Kyoryugers, who are fighting an unseen evil, meet with the Go-Busters, and the "Greatest Trap ever seen on Earth" is sprung. What rises up against the true dinosaurs, and the death of your best friends? Now, the Kyoryugers must try and use the "True Brave".
This V-Cinema release takes place between Missions 44 & 45. While preparing to celebrate New Year's, the Go-Busters are all killed by a monster named Azazel. Finding himself (and J) before God in Heaven, Nick uses his status as the one millionth person to die in 2012 to grant his wish that Messiah never existed. He awakens to find a changed world, where the Busters are now known as the Dobutsu Sentai Go-Busters.
Beet J Stag goes berserk after drinking a Vaglass produced Enetron can. No one could stop J, who thinks of himself as a king. What's worse, Enter manages to transform into Beet Buster! What will Masato and the Go-Busters do to stop them? Furthermore, Space Sheriff Gavan also makes a short appearance here.
The Go-Busters must protect the Tokyo Enetower from the evil Vaglass organization. However Enter's new creation Steamloid causes the Buddy Roids to rust, making them unable to fight or be used in the Buster Machines.
A live action adaptation of En Takadono's Messiah novel. Eiri Kaito, a "Sakura" agent, infiltrates the prestigious Seinei Academy. His mission is to get closer to Fumikazu, an ordinary schoolboy whose brother is the leading suspect in a terrorist incident. As the plot progresses, which will Eiri choose? His new "friend"? Or his "mission"?
Mai, a normal high-schooler, dreams of exciting adventures. When she meets handsome Kagu, her first impression couldn’t be worse. He’s rough and rude, and they seem to quarrel every time they see each other. And yet, as they see each other more and more, Mai discovers Kagu’s softer side, and slowly, they fall for each other. Both are too stubborn to express their feelings and painfully let every opportunity slip by until, one day, everything changes . . .