Sohel Mondol was born on 15 August 1985 in Bogra, Bangladesh.
He started his carer as an actor in theater.
Later he is work on Television fiction and then his debut film Under Construction shot in 2015.
His television work 'sheola' was highly appreciated.
He did serious theater play from 2007 to till date with the popular theater troupe of Bangladesh such as Prachyanat, Nagorik Natyangon and Tarua.
Pinic, Rhinoceros, The Hairy Ape, Mulluk, Let me out- his notable performance.
He has also conceptualized and acted in street plays.
From theatre to television to the big screen, his progression as an artist has been organic ones.
He followed up his Under Construction act with some films where his performances were appreciated by the audience and critics alike.
The story revolves around a man named Azad. In the midst of his post-divorce depression, Azad contemplates suicide but is saved by Shyama during a trip to the Sundarbans. Their connection leads to a tumultuous marriage where Azad becomes a victim of a family curse, seemingly affecting his sanity and trust in Shyama. However, a startling revelation by their mutual acquaintance, Osman, unveils the true nature of Azad's psychological torment.
Biju, who lives abroad, calls her father in Bangladesh in the middle of the night and pleads with him to talk over the phone for a long time as she tries to escape the stalker.
Shuvo and Purnima fled to Dhaka standing against the society and starts their own family. Mousumi tries to sustain her family anyhow. Mousumi wants a baby badly but Maruf is not interested. Rojina was tolerating torture of her drunk husband regularly, decides not to continue it anymore and to start a new beginning with CNG driver Ilyas. But one night, everything goes haphazard, three couples meet with one another just like an act of fate.
A power station clerk maneuvers a blackout every night for a secret rendezvous; a businessman caught in a limbo beside an up-class escort; a travel agent deliberately delays his client’s visa; a girl clandestinely trains herself for a race; a plumber gets entry into a private chamber of an actress he is obsessed with– all are interwoven in a thread of love and lust.
Rashed and Abani- Two lovers living the life as they dreamt. But fate plays a tragic turn when a past mistake transforms into vengeance. Could Rashed and Abani survive this storm and make it to the end?
On a special date with a very special girl, the awkward and hopelessly broke Arik goes to hilarious lengths just to keep the total bill under 700 Taka.
When the brash son of a local mafia boss falls for the drug addicted troublemaker Koli, all hell breaks loose.
Ayna is an actor and the prison is his stage. He slips into the characters of the powerful convicted in exchange of money and take their place in prison. This strange profession is borne out of a society that doesn't give him a chance to follow his passion of acting, but forces him to act in the real life. Falling in love with the girl next door changes his life equation and he decides to end this career with one last performance. But this one takes him too deep in the rabbit hole. The story unfolds on how an underdog survives in a society that is merciless and struggles his way out from the clutch of crime game which he is a part too.
Roya is a middle-class Muslim woman that struggles to find herself in the sprawl of urban Bangladesh. When she discovers that she will be replaced by a younger actor for the role of Nandini —a central character of Rabindranath Tagore’s political play Red Oleanders —she battles to reconstruct the part, reclaiming her identity and sexuality in the process. As she sets the play in a modern day ready-made garment factory in Dhaka, her journey to establish her individuality is juxtaposed with the journey of her housemaid Moyna, who later joins the industrial workforce.