Documentary about the Dutch theatregroup the Werktheater. The aim of the company was to create socially relevant theater by means of cooperative processes and improvisation. They often played their performances on location, such as in hospitals, prisons, healthcare institutions and schools. In this documentary, those involved are interviewed about this remarkable theater group.
Cheech & Chong are invited to a celebrity party in Amsterdam. When they get there, however, it turns out that the guy who invited them has taken off with all the money. They are actually expecting Burt Reynolds and Dolly Parton, so our heroes get to be Mr. Burt and Mr. Dolly.
In 1939, Charlotte Salomon leaves Berlin to seek refuge at her grandparents' villa in the south of France. A little later, war breaks out, and Charlotte must, besides forgetting all she left behind, deal with her grandmother's depression, and her mother's suicide. To fight despair, Charlotte starts to paint, producing over one thousand images. "Is my life real, or is it theater?" This is the title she gives her body of work, which highlights her former life in Berlin. She finds herself though her art, but in 1943 is deported to Germany and Auschwitz.
"Conditions" - The improvisation-based performance was inspired by psychiatrists such as RD Laing (Family and Madness) and J. Foudraine (Who is of wood). The Werkteater played this performance 'in the den of the lion': in psychiatric institutions for patients and carers. This led to very intensive and adventurous performances in which 'a lot' always happened. Afterwards the discussions sometimes ran high, but even during the performance the audience sometimes mixed themselves in the scenes.
Documentairy about the progressive theatre group 'Het Werkteater' at their home base on Kattengat 10 in Amsterdam.
Author Frank's debut novel is successful, but he needs the proceeds to pay off a debt and his girlfriend Mascha ends their relationship. He meets another woman, but he and Mascha also seem to make amends. These amorous vicissitudes give him inspiration for a new book, which will deal with eroticism in the Netherlands.
The dutchified Hungarian Joszef Katús returns, after a months-long absence, to Amsterdam on 29 April 1966. The arrival of the Provos changed a great deal in the Dutch capital. The film follows Katús, mostly roaming the streets, in a loose documentary style. The events are set against the backdrop of four national occasions - The Queen's Birthday, Labour Day, Liberation Day and Remembrance Day.