atau dikenal sebagai
A cursed mirror opens up a supernatural bridge to a demonic force that disturbs and terrorises young Maya and her family.
A mosaic film of three stories in three different Asian cities where the paths of the rich and poor cross one another in and around taxis. A closeted Beijing cab driver tries to seduce a rich passenger, a Hong Kong pregnant trophy wife starts to develop feelings for her new Indonesian maid and a Jakarta slum orphan becomes infatuated with a Western female backpacker. All three characters desperately want to connect on a basic human level but are their own worst obstacle.
A musical drama inspired by the 1956 classic, Tiga Dara. It tells the story of three sisters—Gendis, Ella, and Bebe—who live with their father and grandmother after their mother passed away. Each of them has a different personality, but they are all independent and focused on their careers. However, their grandmother becomes worried because her granddaughters are still unmarried. She then tries to find them suitable partners, which leads to various comedic situations, family conflicts, and questions about love and freedom.
Dawan is a young village girl who harbours the dream of getting out of her village in the lure of the bright lights in the big city, and to do so, has to fight customs and tradition that girls are meant to be bethroned away early at a young age to someone they loathe, and schools for them are an unnecessary part of life. In order to fulfill her dream, she has to go against the wishes of her dad, as well as irk her brother as she out-scores him in a local examination to clinch a scholarship. Also, their village is under threat of an unscrupulous landlord trying to bulldoze his way into profits by driving everyone out of his land.
Compilation of short horror films from seven directors who produced six film segments in one anthology.
Four women, four cities, four unflinching stories—this powerful omnibus film weaves together the struggles of women across Indonesia, from a midwife battling corruption to a teenager caught in betrayal, a mother fighting for her child, and a widow facing the harsh truth of survival.
Regi suffers from depression since childhood, being raised by wealthy parents who have little time for her, but plenty to fight with and cheat on each other. While in college she meets and becomes close to Rajib, a drug dealer. Developing an intense hatred for men, inspired by her violent and insensitive father, she identifies as a lesbian. Her introduction to the drug-scene engulfs her and she develops a cocaine habit which rapidly accelerates into a preference for White China heroin. She meets and falls in love with Rajibs ex drug-dealing partner, Vela, who has already become a hardcore junkie. Her and Vela's downward spiral into chronic addiction is portrayed powerfully throughout the film as is their intense attachment to each other. The plot (based on a true story) is exceptional in its depiction of the drug problems in Indonesia, the often terrible 'solutions' to these problems, and the reasons behind why they occur.