Sasha Ivanov is an ordinary man who committed suicide: on a gloomy day he fell out of the window of a high–rise building. Our nameless protagonist is an ordinary detective who is investigating this case. when he reveals the circumstances of Sasha's death, he has to interrogate neighbors, coworkers, ex-girlfriend and other people who knew him. to his surprise, the detective discovers that each witness describes Sasha as a completely different person…
A day in the life of a comic book artist and his family in Russia. While suffering from the flu, Petrov is carried by his friend Igor on a long walk, drifting in and out of fantasy and reality.
Mark Ginzburg is a talented artist who is always depressed. He's 52, but personal and professional success has escaped him. Many years ago, Mark moved from his native Riga to Tel Aviv to get away from his oppressive father, Viktor, who still supports him financially. Victor Ginzburg is a famous conductor. His work is his life. He never cared about Mark's feelings and tried to mold his son in his own image. Their highs and lows turned long ago into a love-hate relationship. More hate than love. Father calls his son by his childhood nickname Birdie, which infuriates the son. Son calls his father Your Majesty, which infuriates the father. After Viktor is diagnosed with a fatal illness, the father and son set off on a difficult journey that leads from hate to love.
This is a story about a guy who is willing to sell the soul, just to dial million views for your videos on YouTube. On the way to his goal, he turns into a fast train "Moscow - Vladivostok», where faced with an American actress, suffering aerophobia. On the way strangers expect such adventures that they lag behind the train that trying to catch up, moving our unpredictable and fabulous Mother Russia - After each of them need to be in Vladivostok exactly 7 days - for reasons which they carefully conceal from each other.
The story about a difficult post-war time. About destiny of the young lieutenant and the young girl, whose love passes through the hardest vital and moral ordeals.
Kind and lazy Jenya comes to Moscow from small village in Belarus for earnings. Criminal incident unexpectedly separates Jenya from companions and leaves him alone without money and documents. He has no friends or relatives in this big and hostile city and he is about to end as a homeless bum.
The main character of this one - Antonina - a wife, mother, mistress of the house, wakes up after an unusually bright dream and realizes that she has not lived her whole life as she wanted. There were strangers around, people she didn't like, and it wasn't her life at all. She realizes this so clearly that even at the funeral of her own husband, Antonina does not cry, is not killed, and it seems that this death does not concern her at all. And this is despite the fact that my husband lived a long and prosperous life...
A film director Nikolai Khudokormov is on the brink of his 50th anniversary. He has the whole life rich in events under his belt: creative quests, several marriages and children. Now he has to live with an old insane Mother and seems to be indifferent to what is going on around. But at the same time he is obsessed by the idea to make a film which will be his best one. Nikolai makes every effort to raise the money for this project. And all the time he is followed by a mysterious stranger. She is a beautiful young creature who speaks to him about the vanity of the world and the meaningless of a human life. Finally, Nikolai realizes that he is speaking to the Death herself.
Nikolai (played by Sergei Dontsov) has been fired from his job as a music teacher and has to live in the gym until he finds a place to stay. Finally, he gets a communal room in the apartment of Gorokhov (Victor Mikhalkov). The room's previous inhabitant, an old lady, has died a year ago, and yet her cat, Maxi, is still in the locked room, healthy and fat. Soon, Nikolai and his neighbours discover the mystery: there is a window to Paris in the room. That's when the comedy begins - will the Russians be able to cope with the temptation to profit from the discovery?
Considering that Musakov’s Abdulladzhan (1991) was dedicated to Steven Spielberg, we might suggest that these four boys embody nothing more complicated than a conflict of youthful innocence with some ominous threat—the basic workings of E.T. (1982) or War of the Worlds (2005), say. That threat, however, is best understood not through vague nationalism or warmed-over socialism, but through the other reference-point of Abdulladzhan—Tarkovskii’s Stalker (1980). Musakov leaves his boys in a simplified radiance so bright and so overexposed that it no longer looks like the skies of sunny Tashkent, but a disturbing, borderless luminosity to match the flat tonal range of Stalker’s “Zone.” Our Uzbek boys are nowhere in particular; this is a broader domain than anything international.
In July 1941 during the retreat of Soviet troops Sgt. Mamin tries to rescue his Soviet heavy tank KV-2, which has fallen into a river. He gathers a motley crew of soldiers and civilians and readies the tank for battle.
A story of a Moscow's apartment building that is slowly falling apart, literally. First, the hot water has been cut off by an old man from Asia, who could not stand it being wasted. Then the roof is starting to collapse. Finally, the electricity has been cut off. All the tenants of the building, no matter how different they were, find themselves in the same situation.
Volkhov Front in 1942. The young political instructor of the counter-propaganda department of the headquarters of the division Rusanov is torn to the forefront. Together with an experienced warrior — captain Shaternikov — the hero gets to the forefront and transmits from the sound transmission programs addressed to German soldiers. And in the hours of calm passes several kilometers in order to see Katya, the signal woman of a neighboring sector of the front.
Based on the story of the same name by Sergei Antonov. The young journalist of the central newspaper Sirotkin came to the Siberian timber industry to write an essay about the glorious driver Khromov. But soon Sirotkin’s inquiring mind calculated the trick of Khromov, who, noting one kilometer in the vouchers, traveled a short route he knew only, draining the remaining gasoline from the curbside. Having revealed yet another fraud, in which the director was also involved, Sirotkin realized that he would not write an essay, but that he would be lucky with materials for the trial. This was announced by the authorities of the timber industry. Khromov himself took the journalist on the return trip...