It's summer and very hot in Germany's only open-air swimming pool for women. There, women bathe topless, in a bikini, bathing suit or burkini. Each follows different rules. This always leads to friction, which the overwhelmed lifeguard is not quite able to control. When a group of completely veiled women enthusiastically discovers the women's bath for themselves, rags literally fly: Who owns the bath and who makes the rules? Who owns the female body? And when is a woman a woman at all? The lifeguard resigns, exasperated. But when a man of all people is hired as the successor as lifeguard, the situation escalates in unpredictable directions.
Richard lives apart from his wife. He is unemployed. His life is really not running smoothly right now. Rather by chance, he gets into conversation with the director of his daughter's school, who is desperately looking for teachers - which gives Richard an idea. He is a mathematician. And after all, everyone can become a teacher!
Janus has just left a psychiatric hospital after a suicide attempt. His only reason to live has been letters from his high school friend Amina. When the letters suddenly stop, Janus is sure that something terrible has happened to her. To make sure she is alright, he sets out to find her.
During The Feast of the Sacrifice, all family, sons, daughters, granddaughters, relatives gather at the country house of Rıza Gülsoy. Rıza's family celebrates the holiday while they share the good memories, dine, drink, sing, and dance. Horror starts when one of the granddaughters of Rıza the emperor, suddenly disappears.
Esra leads two parallel lives. In her daily life the vivacious and spirited Esra adores her family but feels caged in her relationships. In her dream life, she yearns to discover the identity of the man who visits her dreams. While in waking life she struggles in vain, in her dream life she evolves in secret. But what if waking and dreaming were never separate and the real secret is shored by all?
Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go.
Swastikas were scratched into the windows of the University of Stuttgart and have caused considerable property damage. Far-right vandalism? The case is quickly closed, but the young Commissioner Bernau wants to enlighten the mysterious attack. He returns at night back to the crime scene and has an appearance that make his blood freeze! When he turns to the medium Morgana, he lifts the veil on a cruel mystery.
Berlin’s notorious Neukoelln district. The near future. A time in which the health system has collapsed. A man works in the shadows and without license as a doctor. He has no practice, no appointments system. He treats people in the courtyards and streets – everywhere he’s needed, stealing medicine from pharmacies. Nobody knows his name or that by day he’s the caretaker of a shabby tenement building. He pushes boundaries and suffers defeats that cost him the last of his strength. Forced to adopt the role of a shadow, an outlaw, he is confronted with the question as to whether he really is a doctor.