Matthias is a master of his profession. Do you need a “cultured boyfriend” to impress your friends? A “perfect son” to influence your business partners’ opinion of you? Or maybe just a sparring partner to rehearse an argument? Whatever it is, just rent Matthias! While he excels at pretending to be someone else every day, just being himself is the real challenge.
Elena Wolff submerges into the turbulent world of the young, up-and-coming art scene of Linz. In a series of episodes, Asche tells of three couples and an outsider, of alpha males and muses, of loneliness, and the urge for self-realization. In doing so, this pop satire of the art world exercises a high-volume criticism of both patriarchy and the cultural scene—including unexpected vendettas and bizarre encounters.
Alexander grows up in a small house with his loving grandmother. In order to avoid his father’s fate, on his tenth birthday, he promises her that he will never fall in love. Every Sunday, Alexander visits his father, who has retreated to live in the Vienna subway system since the death of Alexander’s mother. As a young adult, Alexander wants to be closer to his father and decides to take a job in a lostand- found office in the underground. It is here that he meets the beautiful and vivacious Caro (Verena Altenberger) in her cute subway hatter store. Although Alexander has successfully resisted love before, now his self-imposed oath becomes a difficult promise to keep.
Karl meets Nini at a Berlin train station: it is love at first sight. But the few hours they spend together before she travels back to Vienna end in a mishap in which Karl loses her phone number. He decides to move to the Austrian capital to find his dream woman again.