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Satyajit Ray
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Satyajit Ray (2 May 1921 – 23 April 1992) was a Bengali Indian filmmaker, widely regarded as one of the greatest filmmakers of the 20th century.
Ray was born in the city of Calcutta into a Bengali family prominent in the world of arts and literature.
Starting his career as a commercial artist, Ray was drawn into independent filmmaking after meeting French filmmaker Jean Renoir and viewing Vittorio De Sica's Italian neorealist film Bicycle Thieves (1948) during a visit to London.
Ray directed 36 films, including feature films, documentaries and shorts.
He was also a fiction writer, publisher, illustrator, calligrapher, music composer, graphic designer and film critic.
He authored several short stories and novels, primarily aimed at children and adolescents.
Feluda, the sleuth, and Professor Shonku, the scientist in his science fiction stories, are popular fictional characters created by him.
He was awarded an honorary degree by Oxford University.
Ray's first film, Pather Panchali (1955), won eleven international prizes, including the inaugural Best Human Document award at the 1956 Cannes Film Festival.
This film, along with Aparajito (1956), and Apur Sansar (The World of Apu) (1959) form The Apu Trilogy.
Ray did the scripting, casting, scoring, and editing, and designed his own credit titles and publicity material.
Ray received many major awards in his career, including 32 Indian National Film Awards, a number of awards at international film festivals and award ceremonies, and an Academy Honorary Award in 1992.
The Government of India honored him with the Bharat Ratna in 1992.
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Peran Yang Di Mainkan Satyajit Ray
In this case Feluda Topshe and...Feludar Goyendagiri: Bhuswargo Bhoyonkawr 2024
In this case, Feluda, Topshe and Jatayu go to Srinagar and Kashmir where they come across a spine chilling mystery. They meet a retired judge, Siddheshwar Mallick, and his group who have also come for a holiday. They travel together to Gulmarg, Khilanmarg and Pahalgam. The judge has given death sentence to many convicts in a career spanning three decades and wants to find out whether he had made a mistake in doing so by calling the spirits of those convicts by planchette. The judge suffers from angina due to which he had to voluntarily retire at the age of 65 and he has a son, who is addicted to gambling. He finds out that he had misjudged two of his cases, one of a Bihari and another of a Kashmiri. In the meanwhile, there are life attempts on the judge's son Vijay and on Feluda twice. Soon after, during Pahalgam visit, the judge gets murdered and a precious diamond ring worn on his right hand gets stolen.
The story revolves around a a...Nayan Rahasya 2024
The story revolves around a a boy with special abilities who is discovered by a magician who intends to take him to Chennai for a show but the boy disappears.
A notorious gangster is incited to...
The suave Prodosh C Mitter aka...Feludar Goyendagiri: Darjeeling Jawmjawmaat 2022
The suave Prodosh C. Mitter aka Feluda has ruled over our hearts with his sharp wit, impressive intellect and astute observation skills for over five decades now! The story starts off with the murder of Birupaksha Majumdar by Vishnudas Balaporia in the cold Darjeeling Mountains. Feluda, Topshey and Lalmohun Ganguly investigate.
Feluda alias Pradosh Mitra a private...Royal Bengal Rahasya 2011
Feluda alias Pradosh Mitra, a private detective is invited by a rich former Zamindar (and a retired big game hunter) in North Bengal. The task is to solve a riddle which was written by an ancestor long time ago. The riddle ostensibly contains clue to finding hidden treasure that belongs to the family of the Zamindar. When Tarit Sengupta, the personal secretary of the Zamindar is killed in mysterious circumstances, Feluda finds out that Tarit had already solved the riddle, and was in the process of stealing the treasure when he was killed. Then the mystery thickens as there are many suspects. At the end the man-eating Tiger appears to give the story a new dimension. How does Feluda Solve it? See it to believe. The mastery of Satyajit Rays's writing and direction of Sandip Ray can be seen here.
A welloff Indian family is paid...The Stranger 1991
A well-off Indian family is paid an unexpected, and rather unwanted, visit by a man claiming to be the woman's long lost uncle. The initial suspicion with which they greet the man slowly dissolves as he regales them with stories of his travels, tales that are at odds with their conventional middle class perspective on the world.
When the movie opens a woman...The Home and the World 1985
When the movie opens, a woman is recalling the events that molded her perspective on the world. Years ago, her husband, a wealthy Western-educated landowner, challenged tradition by providing her with schooling, and inviting her out of the seclusion in which married women were kept, to the consternation of more conservative relatives. Meeting her husband's visiting friend from college, a leader of an economic rebellion against the British, she takes up his political cause, despite her husbands warnings. As the story progresses, the relationship between the woman and the visitor becomes more than platonic, and the political battles, pitting rich against poor and Hindu against Moslem, turn out not to be quite as simple as she had first thought.
In the year 1856 Nawab Wajid Ali...The Chess Players 1977
In the year 1856, Nawab Wajid Ali Shah is the King of Awadh, one of the last independent kingdoms of India. The British intend to control this rich land and send General Outram to clear way for an annexation. Pressure is mounting amidst intrigue and political maneuvers, but the Nawab whiles away his time in pursuit of pleasure and religious practice. The court is of no help either — noblemen Mir and Mirza ignore all duties and spend their days playing endless games of chess. Based on Munshi Premchand's short story of the same name. Preserved by the Academy Film Archive in partnership with The Film Foundation in 2010.
A young boy becomes a target...
Siddhartho Chowdhury a brilliant young medical...The Adversary 1970
Siddhartho Chowdhury, a brilliant young medical student, is forced to leave his studies after his father's sudden demise. He is forced to navigate the high unemployment rate and the communist socio-political climate of 1960s Calcutta in search of a job. He lives in a flat with his younger, employed sister, revolutionary brother and widowed mother. The strain of the situation ultimately causes him to hallucinate.
Arindam a matinee idol is going...The Hero 1966
Arindam, a matinee idol, is going by train to collect an acting award. On the train, he is confronted by Aditi, a journalist who somewhat unwillingly starts to take his interview. Arindam, won over by Aditi's naivete, starts to disclose his past, his fears and his secrets.
In 1870s India Charulata is an...Charulata 1964
In 1870s India, Charulata is an isolated, artistically inclined woman who sees little of her busy journalist husband, Bhupati. Realizing that his wife is alienated and unhappy, he convinces his cousin, Amal, to spend time with Charulata and nourish her creative impulses. Amal is a fledgling poet himself, and he and Charulata bond over their shared love of art.
After her husband loses his job...
The story revolves around a North...The Expedition 1962
The story revolves around a North Indian taxi driver, Narsingh, who attempts to reinvent his life by visiting his native place, but instead gets embroiled in a local Marwari businessman's smuggling and human trafficking business. Preserved by the Academy Film Archive in 2001.
A devout upperclass Hindu has a...
Apu now a jobless exstudent dreaming...
An aging decadent landlords passion for...
Apu and his family have moved...Aparajito 1956
Apu and his family have moved away from the country to live in the bustling holy city of Benares. As he progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother.
A depiction of the life of...
Director Jean Renoirs entrancing first color...The River 1951
Director Jean Renoir’s entrancing first color feature—shot entirely on location in India—is a visual tour de force. Based on the novel by Rumer Godden, the film eloquently contrasts the growing pains of three young women with the immutability of the Bengal river around which their daily lives unfold. Enriched by Renoir’s subtle understanding and appreciation for India and its people, The River gracefully explores the fragile connections between transitory emotions and everlasting creation.
