The historical, political, and social context of Brazil in the 1960s, 1970s, and 1980s, and the impact of each decade on the life and work of the acclaimed actress Marília Pêra.
The aspiring actress Marivalda, her husband Wanderley, a bankrupt insurance broker and a false priest do their best to get along in life. But they end up in the hands of a drug boss, whose daughter they promised to save the life of, hit in a shooting at a party in São Cristóvão. A huge cash reward is at stake and now all three have to chase the promised miracle.
A Brazilian theatre group that through talent, irony and humour confronted the Brazilian violent dictatorship in the 1970s revolutionising the gay movement worldwide and changing theatre and dance language to an entire generation.
Rio de Janeiro. Confronted with the violence that exists in the favela where he lives, Tiago sees the only way out to become a soccer player and, in this way, help his family to have a better life. Although he is the best player in his neighborhood and the chances of being discovered by a scout are good, he faces a number of problems. One of them is Tubarão, the leader of the most powerful gang in the favela, who wants Tiago to work for him as a drug dealer. To complicate matters even more, Tiago falls in love with Juliana, Tubarão's sister.
Elas por Ela reconstituted the history of MPB between 1920 and 1970, from the female perspective, also showing the transformation of the role of women in society over these years. Marília Pêra chose 35 singers to honor and, from 50 songs, put together the script for the show.
An industrial couple spends more than they can afford. In financial trouble, the husband Afraninho devises a strange kind of business, for foreign executives, in which the product is his own wife Malu. They succeed, and soon other couples start doing the same thing, establishing the competition.
Cropped hair, a rosemary branch behind the ear, yellow shirt of shiny satin, he's behind the wheel of his car when passing by a woman who walks by the roadside. Strongly painted lips, printed dress with round skirt and red shoes matching the color of the lipstick, she catches his attention. He gives her a ride, the two of them stare in silence for a few moments. They introduce themselves to one another and between the two establishes an absurd dialogue and full of metaphors. And they are driving around in corners of Rio de Janeiro, to the sound of Noel Rosa and Lamartine Babo. Eva and Antena, she a seer, he, an assassin on the run, initiate an unusual case of love, a marginal love, where boredom often gives way to tragedy, creating the agony of a holiday spent in an abyss.