An ambitious production in which a dystopian world is reproduced, where social differences are emphasized by choices of costumes and scenography. The theme is food, its reuse that generates wealth and conviviality, eliminating differences. The intent of the short is to metaphorically represent how waste, leftovers, can be reborn to new life.
After reuniting with his first mentor Bruno and receiving his latest mission, an exiled Ciro is left to fearlessly confront whatever comes his way, navigating a new chapter of gang warfare while grappling with devastating memories of loss and trauma. Weaving between his past as an orphan in Naples' cruel underworld and present as a hardened, cunning assassin with nothing left to lose, Ciro is plunged into the cold, dark depths of a world where immortality is just another form of damnation.
A group of friends, spending the weekend in a house in the isolated countryside, are attacked by a swarm of killer horseflies that feed on human flesh like piranhas. The group soon discovers that the only deterrent that can keep the insects away is THC, the main ingredient that makes up cannabis. Their only hope of survival is therefore given by the consumption of grass, with all the consequences that entails.
The rise and fall of a Neapolitan criminal clan through the story of a boss and his family, divided between the aspiration for a bourgeois life and the deep impulses of oppression. Thirty years of history of one of the most beautiful and discussed cities in the world, the dream of a boy who is overwhelmed by the desire for power as an end in itself, to become the nightmare of a man and those who live next to him.
Italy, early '90s. Calm, clever and inscrutable, politician Giulio Andreotti has been synonymous with power for decades. He has survived everything: electoral battles, terrorist massacres, loss of friends, slanderous accusations; but now certain repentant mobsters implicate him in the crimes of Cosa Nostra.
Pina was born in Portugal but now lives in poor circumstances in Naples. Pina has two daughters, Rosa, who has been wearing a wedding dress since she was left stranded at the altar several years ago, and Caterina, who murdered a man who wronged her as he left the church following his wedding. Caterina winds up in prison alongside Maddalena, a prostitute who witnessed the murder and was inspired to kill a man in her own life who had hurt her. The incidents from these women's lives are interspersed with another story, set in 1929 and filmed in black-and-white, about a man who shoots his wife in a movie theater and must run to avoid the police.