After the death of previous Boss, a gang war lasts for more than four years.
In Osaka during the Edo period, ruler Sanada Yukimura was in losing position, fearing Toyotomi's blood descendents would end, he impregnates one of five Shinano female ninja with the seed of Toyotomi Hideyoshi in hopes of continuing the bloodline. Princess Sen and the five female ninja escape from Osaka castle by blending in with the handmaidens. Lord Tokugawa Ieyasu who was supposed to rule all under the heavens was informed of this secret. So Ieyasu orders five samurai of the Iga Ninja clan (brought by Hattori Hanzo) to stop the Toyotomi bloodline by killing the Kunoichi ninja. An attack of ninja magic arts unfolds in a battle of the sexes.
Directed by Hideaki Onishi of "Vampire Monster House" fame. A thriller and unique period drama directed by Hideaki Onishi of "Vampire Monster House" from a script by Akiyoshi Kataoka. Suzuki Shuhei, the duo behind "Vampire Monster House," was in charge of cinematography. Cast: Ryuji Shinagawa Ryutaro Wasaki Keiko Ogimachi SHIMIZU Hajime
A series of ghastly murders are being committed. The one similarity in each of the murders is that a strange buzzing sound is always heard right before the murder occurs. Is the killer invisible or possibly some other incredible creature?
Ichikawa's 1956 adaptation of Nihonbashi was the first to take the work of Kyoka Izumi— until then regarded as a writer of common tragic melodramas—and re-evaluate it as a tanbi-ha work of decadence, aestheticism, and intrigue. Ichikawa's film presents the tragic plot of the young geisha who is unable to enact her love for a man publicly in any way other than a histrionic story of torment, a heart-rending tale of lovers being crushed by fate. Instead, Ichikawa shows the contest of wills that transpires as two geisha, Oko and Kiyoha fight for the top spot in Nihonbashi, the pinnacle of the Tokyo geisha world. Nihonbashi is an elegant, if steely, exposition of manners. The young doctor, Shinzo Katsuragi, is the object of affection for both women, but appears to be more the choice reward for the plotting and thieving of these two early modern superwomen, than a lover they swoon over.