Rockwell Blake (born January 10, 1951) is an American operatic tenor, particularly known for his roles in Rossini operas.
He was the first winner of the Richard Tucker Award.
Born and raised in Plattsburgh, NY, Blake was the son of a mink farmer.
After graduating from high school in Peru, he studied music first at the State University of New York at Fredonia and then at The Catholic University of America.
On leaving Catholic University, he served for three years in the United States Navy as a member of the Sea Chanters male chorus and later as a soloist with the US Navy Band.
During that time, he continued his voice training with Renata Carisio Booth, who had been his teacher since his school days.
He made his solo opera debut in 1976 at the Kennedy Center in Washington D.
C.
as Lindoro in Rossini's L'italiana in Algeri, and made his debut at the New York Metropolitan Opera House in 1981 in the same role, with Marilyn Horne as his Isabella.
He went on to become one of the leading Rossini singers of his generation, singing regularly at the Rossini Opera Festival in Pesaro since his debut there in 1983.
He made his only stage appearance at La Scala in 1992 as Giacomo in La donna del lago.
It was La Scala's first production of the opera in 150 years and was staged to mark the bicentenary of Rossini's birth.
Although several critics have expressed reservations about the intrinsic slightly harsh timbre of his voice, his two-and-a-half octave range and mastery of florid vocal technique and coloratura have made him a successful interpreter not only of Rossini's tenore contraltino roles (in whose recent revival he has been a chief protagonist), but also of operas by Mozart, Donizetti, Bellini and Handel.
Within that repertoire, Blake has sung in over 40 operas, including relative rarities such as Rossini's Zelmira, Mozart's' Zaide, Donizetti's Il furioso all'isola di San Domingo, Haydn's L'infedelta delusa and Boieldieu's La Dame blanche.
Blake has also been active in the orchestral and oratorio tenor repertoire, performing in works by Bach, Beethoven, Berlioz, Britten, Handel, Haydn, Mendelssohn, Mozart, Rossini, Saint-Saëns, and Stravinsky.
Since 2001 he has increasingly devoted himself to teaching and has given master classes at the Associazione Lirica Concertistica Italiana in Milan, the Conservatoire Nationale de Paris, the Accademia Nazionale di Santa Cecilia in Rome, Duke University in North Carolina, the State University of New York at Plattsburgh, the Hamburg Staatsoper, and the Chicago Lyric Opera young artists program.
His last appearances on the opera stage were as Uberto in Rossini's La donna del lago (Lisbon, 2005) and as Libenskoff in Rossini's Il viaggio a Reims (Montecarlo, 2005).
Source: Article "Rockwell Blake" from Wikipedia in English, licensed under CC-BY-SA 3.
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Based on a narrative poem by Sir Walter Scott and set against the backdrop of feudal Scotland, "La Donna del Lago" is one of Gioacchini Rossini's finest operas -- yet it's rarely performed. This video gives viewers a rare opportunity to see the work in its entirety. Filmed at Italy's famed Teatro alla Scala in 1992 and staged by German film director Werner Herzog, the opera features vocalists Ricardo Muti and June Anderson in leading roles.
With its hilarious hijinks and vocal virtuosity, Rossini’s madcap comedy always proves a delightful treat. For this 1988 telecast, the Met assembled a cast capable of tackling both the musical and physical challenges of this bel canto farce, seen here in a whimsical production by John Cox. From the moment he takes the stage with Figaro’s iconic aria “Largo al factotum,” Leo Nucci combines winning charm with a robust baritone. Soprano Kathleen Battle tosses off one glittering vocal display after another as the feisty Rosina, while tenor Rowell Blake makes for an ardent Count Almaviva. Ralf Weikert conducts the lively performance, which also includes the comic duo of Enzo Dara as Dr. Bartolo and Ferruccio Furlanetto as Don Basilio.