A young Brooklyn boy witnesses the brutal murder of his mother and grows up obsessed with finding her killer. Thus begins his life as a quiet, straight-A student by day and a self-appointed hero at night. But what is a real hero? And who decides what is right or wrong? As the boundaries blur, Sean's dual life wears on his psyche and his two worlds careen dangerously close to colliding. Like a graphic novel you can't put down, Boy Wonder challenges morality, distorting perceptions of what is right and what is justified, as it races to its shocking conclusion.
Three episodes based on O. Henry's texts. The first deals with the friendship between a painter and two young women. The second, a young man who receives an insignificant amount of his uncle, as an inheritance. The third concerns two people who make it all possible when they give themselves love as Christmas presents.
A comedy about a screenwriter (Wuhl) whose old movie script is read by a producer (Landau) and the search for financial backers begins. But it seems that each money source (Aiello, DeNiro, Wallach) has his own mistress that he wants put into the film. Gradually, the screenwriter is forced to make changes to his script to accommodate these backers until he finally sees no semblance of his original ideas in the writing.
Ted is a 1970s Venice Beach poet who spends his days drifting along the boardwalk, reciting his poetry to anyone who will listen. His life changes when a bikini-clad beauty named Linda strolls by him. Instantly, Ted believes he's found his "Venus" and becomes obsessed with Linda. He tries to woo her with poetry, obscene phone calls and romantic overtures, all to disastrous effect.
Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.
The second Charles and Diana movie, with two virtual unknowns in the leads: Christopher Baines had acted on the British stage and on the BBC, but Catherine Oxenberg, a U.S.-born, British-raised professional model, here made her acting debut. Of particular interest was the casting of Dana Wynter as Queen Elizabeth, Stewart Granger as Prince Philip, Olivia de Havilland as the Queen Mother, and Ray Milland as a general factotum around the Palace.
Elizabeth Winfield is a retired teacher, who desperately tries to keep her family together. While she's traveling through the country and meeting her relatives, back in her hometown, a group of shopping mall developers are planning to take over her family land in order to begin their ambitious project. Now she needs to find ways to stop this construction in time before the town's annual festivities.
This comedy/drama was written by Jean Shepherd, who appears at the beginning and the end and narrates it through voiceover. It tells the story of several events as they occur through the eyes of Ralph, a high-school-aged boy. Ralph is anticipating the upcoming prom and is working up the courage to invite Daphne Bigelow, a beautiful and popular student who does not seem aware of his existence.
Middle-aged widow Beatrice Hunsdorfer and her daughters Ruth and Matilda are struggling to survive in a society they barely understand. Beatrice dreams of opening an elegant tea room but does not have the wherewithal to achieve her lofty goal. Epileptic Ruth is a rebellious adolescent, while shy but highly intelligent and idealistic Matilda seeks solace in her pets and school projects, including one designed to show how small amounts of radium affect marigolds.