Robert Liensol was born on 9 September 1922 in Saint-Barthélémy, French West Indies.
He was an actor, known for L'exil du roi Behanzin (1994), Target (1985) and Coco-the-Flower, Candidate (1979).
He died on 13 February 2011 in Paris, France.
Robert Liensol founded in 1954 and managed to 1972 the "Compagnie des Griots", the first French company of black actors.
In that troupe, were Darling Légitimus, Théo Légitimus, Jenny Alpha, Bachir Touré, Toto Bissainthe, Thimotée Bassari, Lydia Ewandéand Danièle Van Berkeycke.
They created "Les Nègres" by Jean Genet, directed by Roger Blin, "La tragédie du Roi Christophe" and "Une saison au Congo" by Aimé Césaire both directed by Jean-Marie Serreau.
He merged the Griots company with the "Shango" theatre troupe of Med Hondo called "Griots-Shango"in 1972.
The film is a sub-story to Kirikou and the Sorceress rather than a straight sequel. The movie is set while Kirikou is still a child and Karaba is still a sorceress. Like Princes et princesses and Les Contes de la nuit, it is an anthology film comprising several episodic stories, each of them describing Kirikou's interactions with a different animals. It is however unique among Michel Ocelot's films, not only in that it is co-directed by Bénédicte Galup (who has previously worked with him as an animator) but also for each of the stories being written by a different person (in all other cases, Ocelot has been the sole writer and director of his films).
Sucre Amer tells the story of a unique court case in which an event from the past is judged by a court of history. Major figures from history are brought together in the present to re-examine the "Ignace case", about a legendary figure in the history of Guadeloupe who fought against the armies of Napoleon Bonaparte to preserve his freedom. A hero despite himself, Ignace's life and struggle were subsequently consigned to oblivion by his enemies. His treatment has left a bittersweet taste in the mouths of the people of Guadeloupe.
The recolonization of Africa, this time by the very blacks who had to flee it as exiles during the time of the original French occupation, is the theme of this political comedy. Adiza, who has been living well in France, has decided that she will return and buy the plantation she and her compatriots were expelled from, and enlists some unlikely helpers to bring them back into the country and enact their plot. Meanwhile, these "local" blacks are unwittingly accepted by the other landowners as more cheap labor.
An old couple, Eugenie and Armand, have been living in Paris since 1921 part of the wave of post-war immigration from Martinique. Eugenie, a former dancer with Josephine Baker's Black Revue has become a professional quimboiseuse (practising black magic) for a white clientele. Armand who had been a servant is retired. Now they are both old and bitter and still quarreling with each other. One day they set out, arm-in-arm for a last promenade in the metropolis.
It shows an electoral campaign in Guadeloupe in which Coco la fleur is asked to stand for election for strategic purposes. However, when he discovers how much publicity the campaign offers, he seizes the opportunity to voice the people's grievances.
Aboard a giant slave ship in an abandoned Citroën factory, the history of the West Indies is traced through several centuries of French oppression. The ship becomes a stage for the people to tell stories via song and dance—from their enslavement to their displacement in Metropolitan France.
UN's The Committee of 19 sends six scientists to investigate a biological outbreak in Africa.