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Robert Castel (in Arabic: روبرت كاستل), whose real name is Robert Adolphe Moyal, is an actor, musician and comedian, born on May 21, 1933 in Algiers in the Bab El-Oued district, Algeria.
Robert Castel began as a musician, tar player, then guitarist, accompanying his father, composer violinist, and singer of light French-Arab songs.
Young actor in the troupe of the Regional Center of Dramatic Art of Algiers, Robert Castel plays the role of Robert Le Bègue in the theatrical improvisation show on the life of the pieds-noirs, La Famille Hernandez, which is created by Geneviève Baïlac on September 17, 1957 in Paris.
Having cut his teeth in music hall, Robert Castel began his film career at the age of 24 in Les Amants De Demain by Marcel Blistène, then in Un témoin dans la ville by Édouard Molinaro.
In 1962, Robert Castel left the newly independent Algeria and settled in Paris with Lucette Sahuquet (who died in 1987), whom he married.
The couple inaugurated their sketches as a duo that year, notably at the Olympia where they opened for Frank Sinatra, Marlene Dietrich and Philippe Clay.
In the 1970s, the comedian, lively and provocative, did a lot of television sketches with his favorite partner and Enrico Macias.
For the big screen, this dark-haired comedian, with a clear forehead, who speaks with his hands, abandoned his favorite register.
Having become the figure of "pied-noir humor" in France, he played alongside Edith Piaf in Les Amants de demain by Marcel Blistène, Pierre Richard in Le Grand Blond avec une chaussure noire by Yves Robert, and Isabelle Huppert in Dupont Lajoie by Yves Boisset.
In 1982, he made a notable appearance in Algerian cinema by playing in Hassan taxi, directed by Mohamed Slim Riad, alongside Rouiched (Ahmed Ayad), Ouardia Hamitouche and Sidali Kouiret.
He appeared in more than thirty films in total, until the early 2000s.
Robert Castel kept a low profile for a few years before returning to the stage, this time in a musical, in 2007 thanks to the El-Gusto project.
This project, which seeks to bring together Algerian, Jewish and Muslim musicians who were part of Hadj M'hamed El Anka's Algiers Chaâbi orchestra in the early 1950s, resulted in a documentary film that won international awards, the recording of an album and an international tour that took a troupe of 42 musicians to countries such as France, Morocco, Tunisia, Switzerland, Belgium, the United States and the Netherlands.
In 2008, Robert Castel signed his autobiography, Je pose 75 [son âge], mais je retaîtres tout.
He returned to the stage in 2013 to present his last one-man show, "Nostalgérie".
He died on December 5, 2020 in Paris, at the age of 87.
In 1988, after much cunning political maneuvering, Loïk Le Floch-Prigent and Alfred Sirven become the chief executives at Elf. They discover a company that runs on kickbacks: in exchange for the oil rights, Elf makes handsome but discreet payoffs to the leaders of African nations. With the tacit complicity of President Mitterrand, and with eventual political and personal interests in mind, the new management takes charge of the slush fund. Within months, Sirven, Le Floch-Prigent and his wife Fatima Belaïd fill their pockets with more than they could ever have imagined.
Gaby is happy. After eighteen years of work, he is a flourishing mechanist. But one day, the mechanic of his life is out of order. He discovers that his assistant is in love with his wife. This one runs away with her daughter in law. So, Gaby's friends imagine a gambit to find them, at the moment where father and son enjoy pleasures of single life.
Pierre is a hotel cashier in Vichy, so shy that he answers an ad from the Psychology Institute and can't say no to the salesman, Aldo; he spends 6,000 francs on tapes, books, and a punching bag. Soon after, he's smitten by Agnes, a hotel guest with a model's looks and photographers wherever she goes. When she leaves for Nice, he follows, meeting Aldo on the way. Aldo becomes his boldness coach. Pierre gets a job washing dishes where Agnes is staying, but after a week or so, she's off to Deauville, with Aldo and Pierre in pursuit. Using funds they get by selling Aldo's car, this time Pierre poses as a polo-playing jet setter. Will this win the heart of Agnes?
The sweet elderly aunt and her two nieces survive the vendetta killing of their whole family because they are out picking flowers at the time. Undaunted, the aunt, a tough old Corsican, tracks down and kills all but one of the men who wiped out her kinfolk.
Georges Lajoie is a Parisian café owner. As every summer, Georges, his wife Ginette and grown-up son Léon go on holiday to Loulou's campsite, where they meet up with the Schumacher family (whose father is a bailiff) and the Colin family (who sells bras in the markets). This year, their peace is slightly disturbed by the proximity of a construction site where foreign workers are employed. Xenophobic comments are made. One evening at the ball, a fight breaks out between Lajoie, Albert Schumacher and two algerian immigrant workers...
Michel Martenot (Louis Velle) works in a bank consumption, is recommended and intended for children. His professional skills were appreciated by his boss and promoted Michel. He becomes deputy director of an agency in central Paris. Unfortunately, not having a driving license means that you will have to track a lot of time commuting to public transport. To start the business on his family and professional life.
Paris 1960. DeGaulle determines to end a bitter war in Algeria by granting its independence. Millions oppose him, including a group of DeGaulle's disenchanted Arm Officers. In a desperate attempt to save the colony for France, they plan a daring jailbreak of their imprisoned leader. A network of snitches inform a tenacious detective leading to an explosive three-way cat-and-mouse game among the rebels, the Gaullist politicos and the police.
He is a sales rep. She is a secretary. They live in the suburbs but she works in Paris. They don't see much of each other and spend much of their time in commuter trains. They try desperately to change job locations to be more often together, but... The plot is not the important thing in the film ; what makes it emblematic of the early and mid-seventies is the insouciant atmosphere. The '74 oil crisis had not yet morphed into a recession, and life was good - even though it was as hard as ever to find a home near one's workplace (or the reverse) ! Marthe Keller and Jacques Higelin are both excellent. The movie is not an all-time great, but it captures the "zeitgeist" of French life in the Seventies.
Campana, a commissar at the drugs bureau of Paris police gets an undercover job in Nice to catch an Italian-French mafia boss. As he slips into the identity of a gangster's brother, who was already killed, he has to play the role of a loving husband with child - something that is not so easy for a confirmed single like Campana. Unfortunately American killers chase behind the Nice mafia clan too, in order to get control of French drug trades to USA.
In this drama that alludes to the Algerian War with France of the 1960s, Thomas is a deserter from the French Foreign Legion who is on the run from authorities. He helps damsel in distress Dominique, who has been taken hostage by a group of terrorists. Thomas is wounded but manages to escape after killing the guard who inflicted the injury. Dominique gives Thomas money to escape to France after he secures her freedom, but he is caught between the Foreign Legion and the terrorists seeking revenge.