171 - It fools me that I like. It is a documentary about short stories and storytellers with almost hypnotic gifts to involve the listeners, the peculiar figure of the "171" (Brazilian embezzlement criminals), who can be as much a criminal swindler as a guy with good speech
Greasy hair; grooved and unshaven face; emanating alcohol fumes. Raúl just doesn't care anymore. In the opening scene of Death Inhabits at Night, the unemployed writer pours himself another glass of cheap wine as an upstairs neighbour leaps to his death. His girlfriend is clearly more upset by the incident. A little later, she finds a letter by the door reminding them to pay the rent or be evicted. Raúl shrugs and suggests going back to bed. But all of this dismissiveness changes following a meeting with a troubled young girl.
The 'Vídeo nas Aldeias' performed with the Enawenê Nawê Indians, for fifteen years, extensive records of Yaõkwa, their longest ritual, in which the masters of ceremony pull, for seven months, a myriad of songs, in order to maintain the balance of the earthly world as a spiritual world. In this film, another fifteen years later, the Enawenê Nawê rediscover these images and, with them, deceased relatives, customs that have fallen into disuse and precious ritual songs.
World Cup, garden, ritual. In the midst of an intense - and common - day in the village of the indigenous people Enawenê-Nawê, in Mato Grosso, Kularenê tells us how, when they left the same stone, Indians and whites took different paths: the first guided by Wadari, his ancestor, and the others by Lareokotô, grandfather of whites and father of technology.
Bené spent many years looking for his spiritual evolution in a small country town. He has made great progress and is fully integrated into the community, but will be put to the test when he meets Letícia and is brought into the underworld of the big city.
A photographer travels to São Paulo for his first solo exhibition and decides to stay in his now married, ex-girlfriend’s house.