Estreia-se como actriz na peça Mariana Espera Casamento, de Jean-Paul Wenzel, sob a direcção de Luís Miguel Cintra, em 1983.
Conclui o Curso de Formação de Actores do Conservatório Nacional, em 1985.
Ainda no Teatro da Cornucópia representou Perversões de David Mamet, dirigida por Miguel Guilherme e José Pedro Gomes; Antes que a Noite Venha de Eduarda Dionísio, com Adriano Luz; Sangue no Pescoço do Gato de Fassbinder, com Luís Miguel Cintra.
Em 1989 participou em Como é Diferente o Amor em Portugal, adaptação da obra de Júlio Dantas, dirigida por Fernando Gomes.
Nunca Nada de Ninguém de Luísa Costa Gomes, encenado por Ana Tamen valeu-lhe a nomeação para o Prémio Garrett para a Melhor Interpretação Feminina (1991).
Em 1997 participou em Peter Pan de James Barrie, encenado por António Pires no São Luiz.
No cinema foi dirigida por João Botelho (1994 - Três Palmeiras; 1999 Tráfico; 2003 - A Mulher Que Acreditava Ser a Presidente dos EUA; 2005 - O Fatalista), João Mário Grilo (1998 - Longe da Vista; 2002 - A Falha; 2000 - 451 Forte), José Nascimento (2000 - Tarde Demais), Teresa Villaverde (1998 - Os Mutantes), Manoel de Oliveira (1998 - Inquietude), João César Monteiro (1992 - O Último Mergulho) ou Jorge Silva Melo (1987 - Agosto; 1985 - Ninguém duas Vezes).
Na televisão, apareceu em A Mala de Cartão (1988) série que contava com a participação de Irene Papas.
Trabalhou junto do humorista Herman José, em Casino Royal (1989), Crime na Pensão Estrelinha (1990) e Serafim Saudade - o regresso do Herói (2001).
Participou ainda em Sai da Minha1996, Médico de Família (1998/2000), A Minha Sogra é uma Bruxa (2003), na telenovela Tempo de Viver (2006) de Rui Vilhena (a sua estreia na TVI e em telenovelas) Conta-me como Foi (2007-2009).
Apresentou com Henrique Mendes o concurso Caça ao Tesouro (1994).
Em 2011 após 2 anos de ausência, regressa à televisão em grande dose trabalhando nos 3 canais Portugueses generalistas: primeiro na sitcom da SIC A Família Mata, depois no telefilme da TVI O Profeta e por fim na 2ª temporada da Série da RTP Maternidades.
Salienta a sua colaboração com o encenador e cineasta João Canijo.
Com ele trabalhou no teatro (1988 - Crimes do Coração de Beth Henley; 1987 - Jogos de Praia de Whitehead; 1994 - Confissões ao Luar de Eugene O'Neill; 2002 - Sete Vidas de Rosa Lobato de Faria), no cinema (1988 - Três Menos Eu (Festival Les Stars De Demain); 1990 - Filha da Mãe; 2001 - Ganhar a Vida; 2004 - Noite Escura) e na televisão (1990 - Alentejo sem Lei; 1996 - Sai da Minha Vida).
Premiada em 2002 e 2012 com o Globo de Ouro na categoria de Melhor Actriz de Cinema, com Ganhar a Vida e Sangue do meu Sangue de João Canijo.
Foi homenageada no Festival de Santa Maria da Feira em 2004.
Em 2012, foi considerada na Gala SPAUTORES, a melhor actriz de cinema, devido à sua interpretação no filme Sangue do meu Sangue
A large, time-worn house sits on a towering, untouchable pedestal. Ressaca Bailada – Filme Concerto follows individuals as they navigate their relationship with freedom, unity, and isolation within this setting. Celebrating tradition while confronting and questioning it, all against a backdrop of music that shapes the journey.
When Edward’s search for his biological family leads him and his girlfriend Ryley to a magnificent villa high in the mountains of Northern Portugal, he is full of excitement at meeting his long-lost mother and twin brother. Finally, he will discover who he is and where he comes from. But nothing is as it seems, and Edward will soon learn that he is linked to them by a monstrous secret.
A hotel by the northern shore of Portugal welcomes its guests over the weekend. A man is torn between being present for his wife and the space that his mother takes up between the two of them. A mother encourages her daughter’s marriage to enable her own love affair with her son-in-law. Another mother lives through her daughter, preventing her from making her own decisions. Three families at the end of their cycles of acceptance.
This remake of the 1940 film with the same name tells the story of a theatre company, its men and women in love, mistakes and misunderstandings. Chico loves Tatão, who is courted by Artur. Graça loves Chico, but doesn't know he loves Tatão. Santana writes a play for the Grandelinhas that will serve as a guide to Chico passion and convince Tatão that he is a rich count. The play is then staged and they all end up in prison.
The tragedy and comedy in Carlos' life begins, grows and ends like the tragedy and comedy of Portugal. In the company of his close friend, João da Ega, allegedly a brilliant writer, Carlos, with his idle existence as an aristocratic doctor, spends his time to enjoying friends and lovers. Until he falls in love. She is a new character in this revolutionary novel. It's a vertiginous passion that goes beyond that past gloominess to reach a new and darker abyss, incest.
Georges and Anne are in their eighties. They are cultivated, retired music teachers. Their daughter, who is also a musician, lives abroad with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.
The complex relationship between master and servant is explored in director João Botelho's adaptation of Denis Diderot's popular novel Jacques le Fataliste et Son Maître. As Tiago (Rogério Samora) drives his master (André Gomes) through the Portuguese countryside to an unspecified destination, the traveling pair embark on a series of highly philosophical discussions. Flowing with tales of his life in the military and previous sexual escapades, Tiago trades a series of tales with his rapt passenger, including the story of a vengeful spurned lover who plots revenge on the nobleman who rejected her by transforming a prostitute into a society lady and convincing him to marry the tainted bride.
Twenty-five years after leaving school, a group of former students decide to organise a reunion. But, contrary to expectations, these "old boys" realise that time has accentuated their differences. The atmosphere is tense, the conversation taut and the old grudges resurface in no time.
A young woman, working as sales-girl at a shopping center's music shop, wants someone with whom to share her secrets. A distant mother separating from her father, an aunt who emigrated to France, and her pre-adolescent sister, can't do - neither the boyfriend. Such a confident arrives unexpectedly - but then there are three of them, one too much. One leaves, but then another young man arrives, and there are three again. One must go. A sad young adult love story, told in the first person, singular - and ultimately alone, under the rain.