detail profile richard manuel
Peran Yang Di Mainkan Richard Manuel
Bob Dylan Odds and Ends is...Bob Dylan: Odds and Ends 2021
Bob Dylan "Odds and Ends" is composed of archival interviews, promotional videos and documentary shorts. It tells the story of some of the most important moments in the legendary artist's career.
One man dance party Howard Mordoh...The Dancing Man of L.A. 2021
One man dance party Howard Mordoh, a longtime fixture of the L.A. concert scene, copes with the canceled concerts and isolation of life during the COVID-19 pandemic.
A confessional cautionary and occasionally humorous...Once Were Brothers: Robbie Robertson and The Band 2020
A confessional, cautionary, and occasionally humorous tale of Robbie Robertson's young life and the creation of one of the most enduring groups in the history of popular music, The Band.
In 1966 Bob Dylan began his first...Bob Dylan & The Band: Down In The Flood 2012
In 1966 Bob Dylan began his first electric world tour. It was a landmark moment, both for Dylan and for the history of rock music, and it bitterly divided his audience.
Starting with the image of a...Ain't in It for My Health: A Film About Levon Helm 2010
Starting with the image of a tour bus warming its engine in the stillness of an empty lot, this haunting, personal portrait of music legend Levon Helm evokes the mood of a lifetime spent on the road. Jacob Hatley's extraordinarily intimate documentary finds Helm, a founding member of The Band, at home in Woodstock in the midst of creating his first studio album in 25 years. The ultimate survivor, he's overcome drugs, bankruptcy, the bitter breakup of The Band and a bout of throat cancer -but then, as the rueful title indicates, he wasn't in it for his health
The filmed account of a large...Festival Express 2003
The filmed account of a large Canadian rock festival train tour boasting major acts. In the summer of 1970, a chartered train crossed Canada carrying some of the world's greatest rock bands. The Grateful Dead, Janis Joplin, The Band, Buddy Guy, and others lived (and partied) together for five days, stopping in major cities along the way to play live concerts. Their journey was filmed.
With a set of drums and...World Tour 1966: The Home Movies 2003
With a set of drums and an 8mm color home movie camera, Mickey Jones toured the world in 1966 with Bob Dylan and The Band. He captured on film what became known as "The tour that changed Rock and Roll forever." The booing crowds, the scathing reviews, the stomping feet, the infamous catcall of "Judas!" ... all of this in response to Dylan trading in his acoustic folk guitar for an electric sound. Now, for the first time, drummer-turned-actor Mickey Jones (Sling Blade, Home Improvement), with the help of Director Joel Gilbert, chronicles the legendary 1966 Bob Dylan World Tour through his recently discovered home movies. The updated release includes new, exclusive full-length interviews with Charlie Daniels, Johnny Rivers, 1966 World Tour and Gaslight tapes sound man Richard Alderson, and new insights and revelations by Mickey Jones.
A lawyer running away from his...The Man Outside 1987
A lawyer, running away from his past, becomes a recluse in the Alabama woods and becomes the primary suspect in the abduction of a local boy.
Martin Scorseses documentary intertwines footage from...The Last Waltz 1978
Martin Scorsese's documentary intertwines footage from "The Band's" incredible farewell tour with probing backstage interviews and featured performances by Eric Clapton, Bob Dylan, Joni Mitchell, Van Morrison, and other rock legends.
Eat the Document is a documentary...Eat the Document 1972
Eat the Document is a documentary of Bob Dylan's 1966 tour of the United Kingdom with the Hawks. It was shot under Dylan's direction by D. A. Pennebaker, whose groundbreaking documentary Dont Look Back chronicled Dylan's 1965 British tour. The film was originally commissioned for the ABC television series Stage '66. Though shooting had completed for the film, Dylan's July 1966 motorcycle accident delayed the editing process. Once well enough to work again, Dylan edited the film himself. ABC rejected the film as incomprehensible for a mainstream audience.
