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Reiko Dan (団 令子 Dan Reiko, 26 March 1935 – 24 November 2003), real name Reiko Hamada (浜田 令子 Hamada Reiko), was a Japanese actress.
She appeared in multiple films between 1957 and 1974, such as Sanjuro and Red Beard.
She retired in 1974, coming back briefly from the late 1980s to 1990 to support her son, Yuta Dan (1967–2006), who was also an actor.
A nerdy young college instructor named Shinji Kikyo returns home one day to find himself the target of a mad assassin. Surviving somewhat miraculously, he fends off other assassins and with the help of reporter Keiko Tsurumaki and car mechanic Bill Otomo, eventually discovering that a "population control" association is really an assassination squad led by Shogo Mizorogi, who has been training patients of a mental asylum to become killers.
Aspiring to an easy job as personal physician to a wealthy family, Noboru Yasumoto is disappointed when his first post after medical school takes him to a small country clinic under the gruff doctor Red Beard. Yasumoto rebels in numerous ways, but Red Beard proves a wise and patient teacher. He gradually introduces his student to the unglamorous side of the profession, ultimately assigning him to care for a prostitute rescued from a local brothel.
Toshiro Mifune swaggers and snarls to brilliant comic effect in Kurosawa's tightly paced, beautifully composed "Sanjuro." In this companion piece and sequel to "Yojimbo," jaded samurai Sanjuro helps an idealistic group of young warriors weed out their clan's evil influences, and in the process turns their image of a proper samurai on its ear.
Keisuke Morita, a man with dark glasses standing on the Shibaura pier, a descendant of an illegitimate descendant left behind in Osaka and a brother of the Otorigumi, returned from South America for the first time in 15 years. When he stepped on the soil of his native land, his first thought was to visit Otanuki Fudo, the guardian deity of the Otorigumi, but the Otorigumi had fallen and Otanuki Fudo was on the verge of eviction for the construction of an expressway. Keisuke and Joji put on the striped suits left to them by their late boss, and set out to rebuild the clan...
Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older.
Ultra-perky model likes single freedom but feels ryosai kenbo ("good wife, wise mother") pressure, exemplified by her bored-to-tears sister.