Inspired by stories of Polish musicians from the 1930s and 40s. Two young lovers, Robert, a Catholic opera singer, and Rachel, a Jewish violin virtuoso, dream of one day performing together at legendary Carnegie Hall. When they're torn apart by the German invasion of Poland, Robert vows to find Rachel, no matter what the war may bring. His search leads him on a life-threatening journey through the heart of Nazi Germany, to a reckoning that Rachel may be lost to him forever.
Inspired by true events of 2010 Polish Air Force Tu-154 crash in Smolensk, the film tells the partially fictional story of crash and various people affected by the tragedy. The protagonist is a journalist Nina, who refuses to accept the official version of the story and pursues her own independent investigation.
Aaron is an Israeli singer who comes to Poland for a guest performance in a provincial theater. The artist is warmly welcomed by the management and the theater team. During one of the rehearsals, Aaron spots backstage what he thinks looks like Adolf Hitler. Attempts are stopped and the hosts are accused of anti-Semitism. A chain of absurd situations follows, and the revealed prejudices lead to an escalation of the conflict.
Marek, a young writer, is trying to solve the mystery of the night his friend Arthur died. In the recesses of his memory, Marek finds fragments of past events: a party at the home of an eccentric publisher, his argument with Arthur, the exchange of blows, blood. Afraid that he has killed his friend, Marek suppresses his feelings of fear and guilt in his passionate meetings with a woman who has more to do with Arthur’s disappearance than it seems...
Leon falls in love with a nurse and obsessively tries to get close to her.
A successful Los Angeles lawyer discovers that a short-term affair could have long-term consequences when a woman he had a brief affair with claims that she's currently pregnant with his unborn child.
Austrian television director Fritz Lehner makes his feature debut with the big-budget drama Jedermann's Fest, based on the 1911 play by Hugo von Hofmannsthal, which in turn was based on a medieval tale. Originated in parts of England, the myth of Jan Jedermann ("John Everyman") deals with a rich man on his deathbed coming to terms with his life's failures. Not following much of a plot, the modernized version involves famous fashion designer Jedermann (Klaus Maria Brandauer) imagining his last big gala event while rendered unconscious as a result of a car accident in his Ferrari. He is a success in Vienna but not in fashionable Paris, so he wishes to impress French elder stateswoman Yvonne Becker (Juliette Greco).
Tomasz, a doctor, and atheist, is diagnosed with cancer. His ex-wife offers him the money for treatment in Paris, but his lung cancer is past the operating stage. Facing imminent death, he questions the beliefs he has held all his life and starts experimenting with both his own life and those of others.
Feuerreiter is an elegant period drama that begins in Frankfurt in 1796. Through his friend, Baron von Sinclair, romantic and rebellious poet Friedrich Hölderlin secures the position of a private tutor in the home of a banker named Gontard. He is soon torn between his passion for poetry and his love for Susette, the lady of the house. To top it all off, Baron von Sinclair is in love with him. Hölderlin's most beautiful poems are written during this trying time. However, he becomes a total recluse when he loses Susette. The film examines the effects of conflicting demands, both emotional and sensual, that may inspire art. Feuerreiter was screened as part of the New German Films at the 49th International Berlin Film Festival, 1999.
"Młode wilki 1/2" to druga część historii o młodzieży, która wchodzi w życie w realiach drapieżnego kapitalizmu. Akcja toczy się w 1994 roku, kilka miesięcy przed akcją pierwszej części. "Młode wilki 1/2" nie jest filmem o przemocy i zbrodni. Jest to film o przyjaźni, lojalności i pierwszej miłości. Czasem nieporadnie, czasem ze wstydem, bohaterowie filmu odkrywają w sobie uczucia, które znali jedynie jako puste słowa Dopiero w sytuacjach ekstremalnych odkrywają ich nowy sens. Jest to także film o marzeniach i pragnieniach. Zarówno tych zwykłych, banalnych, jak szybkie samochody i ładne dziewczyny, jak i głębszych, jak chęć znalezienia swojego celu w życiu, potrzeba poznania własnej tożsamości.