Raimo Jõerand (born July 15, 1972 in Tallinn) is an Estonian documental film director and scenarist.
2003-2005 he worked at production company OÜ Eetriüksus, being the chief producer of feature films.
2006-2013 he worked at Estonian Film Foundation, being a film specialist.
A richly animated documentary about the extremely popular caricaturist Gori, whose fate in Estonia at the beginning of the last century shows the balance between power and freedom like a mirror. In the Fellini-like world of Gori (1894-1944), farce and drama, mockery and big politics mix. There is no subject that Gori's pen will not mock until the winds turn and mouths are closed.
A journey with Estonia's oldest and most popular band.
The documentary gives us a look into a year in Estonian recent history, namely the year 2019, which brought us a schism in our politics and our generations. Where are we headed in this unbalanced world? Can we protect our land from our own controversial demands?
Filmmaker Peep Puks has directed 61 documentaries and created almost 40 programmes for television. In this film, he looks back on a lost time, the films that have accompanied him, and the colleagues without whom this all wouldn’t have happened. It’s also the story of the first post-war generation of Estonia and the birth of the Estonian documentary.
A documentary exploring the difficulties the newly-independent Estonia faced in the early 1990s after emerging from decades of Soviet rule. The film focuses especially on then-32-year-old and inexperienced Mart Laar, who became country's prime minister while there still were tens of thousands of Soviet soldiers in the country.
A documentary on the volunteer Estonian Army's defense against the Soviet Army in 1944 with an emphasis on its last stand in the region known as the Blue Hills of Estonia.
A documentary with a mystical-criminal air about a man who studies the story of a photographer from the Estonian diaspora in Canada who drowned 24 years ago. A branching, strange network of predestination is brutally turning against the researcher. The film is composed of material left behind by him.