A docudrama about four weeks in the life of famous Czech composer Antonin Dvorak. The drama - filled with many of Dvorak's compositions - begins when the composer suddenly decides to cut a concert in London and return home. While on the train, flashbacks reveal his relationship to his wife Anna and her sister Josefina. Both women gave him inspiration, yet Dvorak is clearly troubled in some way as musical excerpts come and go in his creative mind.
A sincere provincial young man, Frantisek Koudelka leaves to work in Prague. For the trip he buys a computer made horoscope with biorhythms charts, marked according to his date of birth, there are trappy, precarious, unsuccessful and even critical days and few successful days. The clumsy luckless person Frantisek has finally a guidance for his life.
It is the summer of 1945. A party of young people are enjoying the beginning of a new life to the full. For them this is the year one. One of them, law student Pavel, is more attracted to film than to law. With his eight-millimeter camera, he films everything that catches his attention. One day he captures an interesting face on film, a girl with an air of mystery. Pavel visits the girl, whose name is Helena, and meets hers and her elder energetic sister Olga. From Olga, he learns that the girls have spent the years of German occupation in a concentration camp and cannot forget the horrors they have lived through.
After returning home from the army, Vasek (Ladislav Potmesil) has married Bozka (Eva Trejtnarová) and the couple now live at her parents' house. Vasek is unhappy both with his work and with sharing the house with Bozka's parents. He and his friend Ruda (Oldrich Vlach) decide to take a temporary job in Ostrava for a year. Bozka is against this, but Vasek gets his way. Mining is hard work but Vasek gradually adapts to it. He gets homesick from time to time and wants to go back, but his pride always wins out. Once he really does travel back to see Bozka, but he doesn't find her at home.